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#26

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Honey Boo Boo The Musical
Poster Emeritus
#27

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Eat It Right: The Vagina Monologues 2
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#28

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I Ate That?!?!: The Tracy Gold Story
#29

Next Season

Funny Hoo Hoo: A Discovery of the Body
#30

Next Season

Follies 2: If You Don't Eat Me, Ben, I Think I'm Gonna Die
#31

Next Season

Eat Please: The Saga of a Lonely Lesbian
#32

Next Season

I Ate Who?!: The Repercussions of Sweeney Todd
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#33

Next Season

HONEY, I ATE THE KIDS: A New Rock Musical Based on Titus Andronicus
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
#34

Next Season

I'll Have What He's Having: When Hannibal Met Sweeney
#35

Next Season

I'll drink you: The Eileen Rand story.
#36

Next Season

The Dead Don't Eat: A Tribute to Kyle
#37

Next Season

"I'm Not Sorry": the Mike Tyson Story

#38

Next Season

I'LL EAT THERE LAST: Songs from Guy's American Bar & Grill
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
#39

Next Season

No Thanks, I'm Full: A Chat With Mary Kate Olsen
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
#40

Next Season

I'll Eat It But Only If It's Free And Worth A Lot Of Money And You Serve It To Me On A Silver Platter While I Pretend To Like Gay People But Secretly They Disgust Me: The Corine Cohen Story
#41

Next Season

Can't Be Tamed: The Miley Cyrus Musical
"I saw Pavarotti play Rodolfo on stage and with his girth I thought he was about to eat the whole table at the Cafe Momus." - Dollypop

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