I had heard 13 being discussed for another theatre.
Anyway, as to Passing Strange being "too offbeat" for Broadway...
I remember the same was said for Urinetown, which went on to two and a half years on Broadway, three Tony Awards and recoupment,
The same was said for Avenue Q, which went on to win Best Musical, recoup, and is still with us four years later.
The same was said for 25th Annual Putnam County Spelling Bee, which won two Tonys, recouped and is still with us more than two years later.
The same was said for Spring Awakening, which recouped, won Best Musical and is about to celebrate its first year on Broadway.
I can't think of a recent Off-Broadway musical transfer that's tanked, but I'm sure I'm forgetting something. (EDIT: Well, I just remembered Caroline or Change. But it sure has gone on to success in San Francisco, LA, London and regional life, and I think even its Broadway producers went into it knowing it would be a bit of a succès d'estime situation).
Nevertheless, it seems that if a show is good enough with any sort of appeal, and can get accolades and a significant award or two, it can run on Broadway. The idea of damning them in advance is getting old.
Begin at the beginning and go on till you come to the end: then stop.
Updated On: 10/19/07 at 09:01 AM