This was initially posted over on ATC. The news comes per Harvey Fierstein's Facebook page:
"Just got word that FIDDLER ON THE ROOF composer, JERRY BOCK, passed last night. How unhappy an event. I saw and hugged and kissed him last week at Joe Stein's memorial and now he's gone. How terribly sad."
RIP to another musical theatre legend. Thank you for all the glorious music you gave to us.
"You pile up enough tomorrows, and you'll find you are left with nothing but a lot of empty yesterdays. I don't know about you, but I'd like to make today worth remembering." --Harold Hill from The Music Man
Fiddler on the Roof and She Loves Me are among my favorite musicals. What a talented man.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
RIP Jerry Bock, and flights of angels sing thee to thy rest.
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW
"Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick
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What is even sadder is that he had not written any more musicals after THE ROTHSCHILDS, 40 years ago.
The royalties from FIDDLER alone would have provided a comfortable income, but you can't help but wonder how many other fine score he might have created had he stuck with it.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
I'm just about to go into rehearsal for THE APPLE TREE.
FIDDLER may have been the biggest hit, but SHE LOVES ME is one of my favorite scores of all time. I grew up listiening to that double LP recording of the original cast.
I'm disheartened and sad of the passing of Both Jerry Bock, Joe Stein, Fred Ebb. What a loss to Broadway. What a loss to musicals.
I know I'm supposed to say that their work will live on and it will but these are my childhood heroes-(Yes I'm in my fifites and often cannot believe what passes for a Broadway Musical these days) I remember looking in the Times and int the Hirshfeld drawings -Looking forward to a new Jerry Bock or Joe Stein or Fred Ebb Musical It is the end of an era. Sigh. Goodbye Canavaro. (Stein and Ebb) How I loved my admirals (STein and Ebb) I loved you! but you didn't know it (Jerry Bock)
Devastated to hear this. Working with him was one of the great joys of my career. Such a lovely and talented man. My thoughts and prayers are with his loved ones. He will be greatly missed.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
I had the honor of working with him twice in new musicals (that as far as I know haven't made it to NYC in any way). He was the sweetest man. He leaves us with gorgeous music and great theatre.
Please make it right, Don't break my heart, Don't let it end, Dear Friend...
RIP
"A coherent existance after so many years of muddle" - Desiree' Armfelt, A Little Night Music
"Life keeps happening everyday, Say Yes" - 70, Girls, 70
"Life is what you do while you're waiting to die" - Zorba
What is even sadder is that he had not written any more musicals after THE ROTHSCHILDS, 40 years ago.
He did, just not for Broadway, specifically. He partnered with Stuart Ostrow on the workshop of 1040 at the University of Houston (I believe jerby was in that one). And he collaborated with Sidney Berger on several new family musicals for the Children's Theatre Festival in Houston (jerby and I both worked on some of these). I think Jerry was doing what he wanted to do. He continued to compose, but he may not have wanted the stress involved in major Broadway productions any more. He seemed to be having fun and the presence of him and his adorable wife were always a comfort. They attended every single rehearsal through the opening performance, even when his presence as composer wasn't necessarily warranted (i.e. movement, blocking or tech). The opportunity and experience was unforgettable. Luckily, I have a few mementos to remind me of him.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
When I started reading about his death, I was listening to my itunes playlist on shuffle. Every third or fourth song was by Jerry Bock. I ended up spending most of last night and this morning with his scores - and I continue marvel at his craftsmanship. It's a shame his collaboration with Harnick ended in 1970, but so grateful for their output.
As a child growing up in Brooklyn, the first time I was allowed to go to Manhattan alone via subway was to see a very late performance of "Fiorello!" I will always remember Tom Bosley, whose energy after nearly two years of playing the lead was amazing, as well as his lovely leading lady, Patricia Wilson. But the haunting score by Jerry Bock and Sheldon Harnick lives on after more than 50 years, and along with "She Loves Me" ranks among the best Broadway scores ever written.
Mr. Bock's glorious music will always be remembered and loved.
What an amazing composer. Fiddler has always had a special place in my heart. The theatre has lost an extremely talented man. Thank Mr. Bock for giving us all you have. You will be missed. RIP
Current Avatar:The sensational Aaron Tveit in the soon to be hit production of Catch Me If You Can.