"The only reason why one would call this a "don't listen before you see it" show is because listening to the music makes you realize it's... bad... and your opinion isn't clouded by a theater full of easy lays laughing and clapping. It's a lazy, desperate, haphazard show with a lazy, desperate, haphazard score (and frankly, terrible lyrics). Feh."
No - I say that because I think that many of the jokes and funny bits are complimented by the staging, movement and design elements; and the score is more enjoyable to hear for the first time with those complimentary elements that the show provides visually. The score in its entirety isn't my all-time favorite, and I am still favorable to Fun Home's score this season... but there are some moments that I truly love on this score. I would hardly call it haphazard.
"Reminds me of The Producers in that the numbers try to duplicate classic Broadway, but fail to emulate the charm and natural likability of those scores."
They aren't trying to duplicate "classic Broadway" - they are trying to invent "classic Broadway" (NOT literally, but in terms of the premise of the show). That's the entire point of the show, taking place in the 1590s and all.
This part of the article on the WSJ struck me:
“To hold up a rat trap and a washboard and sing, ‘We have the latest gadgets and appliances,’ lets the audience know right away that we aren’t going to take ourselves too seriously and we’re going to have a lot of fun with a view of what is ‘new’ from a 400-year-old perspective,” Wayne Kirkpatrick says. “Also, when we break into the rock section with a driving rhythm section and distorted electric guitars, we are also foreshadowing the type of music that is to come—and letting the audience know there is going to be a collision of these two styles; traditional Broadway and contemporary rock."
Say what you will, and to each his own… but I for one love the score.
Updated On: 5/30/15 at 03:29 PM