Posted: 4/18/06 at 9:04pm
Posted: 4/18/06 at 9:06pm
Updated On: 4/18/06 at 09:06 PM
Posted: 4/18/06 at 9:08pm
Posted: 4/18/06 at 9:11pm
Posted: 4/18/06 at 9:12pm
Green finch, and linnet bird,
Nightingale, blackbird,
How is it you sing?
How can you jubilate
sitting in cages
never taking wing?
Outside the sky waits
beckoning!
Beckoning!
Just beyond the bars...
How can you remain
staring at the rain
maddened by the stars?
Schwartz:
I hear she has an extra eye
That always remains awake
I hear that she can shed her skin
As easily as a snake!
I hear some rebel Animals
Are giving her food and shelter!
I hear her soul is so unclean
Pure water can melt her!
Posted: 4/18/06 at 9:14pm
kmc
Posted: 4/18/06 at 9:17pm
Posted: 4/18/06 at 9:17pm
I think Sondheim puts more thought into his music. He tries to break traditions and makes it different, and does it sucessfully. Look at "Company"...."Another Hundred People" to be more exact, if you listen to those notes compared to something like Defying Gravity or...Popular....I mean there is just no comparison.
Besides the only song he has written that I liked is No Good Deed, and that is for one little part where she sings "One question haunts and hurts..too much too much to mention"
I mean what wicked is now is just a pipe dream for ****ty belters all over the world.
Compare the QUALITY of these shows...
Sweeney Todd, A Little Night Music, West Side Story
compared to shows like this.
Wicked, Captain Louie...
Updated On: 4/18/06 at 09:17 PM
Posted: 4/18/06 at 9:17pm
And "West End Avenue" cancels out "Lion Tamer" IMO. e_e
... and the entire score/libretto of Wicked cancels out "Meadowlark."
Posted: 4/18/06 at 9:19pm
Posted: 4/18/06 at 9:20pm
Posted: 4/18/06 at 9:22pm
Also, I think we have established that Sondheim's lyrics are good. I doubt his ability to write a melody, most of his music just seems bland and runs together.
Let me also point out that Schwartz is not just Wicked. You assume that because he wrote Wicked that it's the only show he can be associated with. Pippin is much better than West Side, and Children of Eden is a work of art.
Updated On: 6/14/06 at 09:22 PM
Posted: 4/18/06 at 9:24pm
So now we OFFICIALLY know you have NO idea what you're talking about.
Posted: 4/18/06 at 9:24pm
If you wanted to boast Schwartz's best show, I'd say Godspell or The Baker's Wife. But it's still not Sondheim-level (I'm not even a Sondheim-worshipper, btw.)
Updated On: 4/18/06 at 09:24 PM
Posted: 4/18/06 at 9:25pm
Pippin is a great show, West Side is not.
Posted: 4/18/06 at 9:26pm
And PIPPIN will NEVER be held on the same level as WEST SIDE. WEST SIDE is legendary and even the least theatre savvy people have heard of it. You can't say that for PIPPIN.
Posted: 4/18/06 at 9:27pm
Posted: 4/18/06 at 9:29pm
Posted: 4/18/06 at 9:29pm
We like who we like...
There is a reason why someone like Schwartz can coexist with someone like Sondheim. There's a reason why a show like WICKED can play successfully just a few blocks away from SWEENEY TODD.
Each composer has their fans, and that's all that matters.
Updated On: 4/18/06 at 09:29 PM
Posted: 4/18/06 at 9:31pm
Posted: 4/18/06 at 9:31pm
Posted: 4/18/06 at 9:31pm
Second, your point is made moot by the fact that Sondheim didn't write the music for West Side Story. Regardless of your opinion of the show, why don't you compare it to a show where Schwartz has the same credits as Sondheim - as both lyricist and composer?
Again, for the record, I love most of Schwartz's stuff, so I'm NOT looking to put him down - there's no reason to put down the works of one to appreciate the works of the other.
That said, and I think the majority of informed theater fans agree, no one can touch Sondheim when it comes to lyrics and music. To say he lacks melody in his writing is simply ignorant.
Posted: 4/18/06 at 9:32pm
*edit*
water i mean
Updated On: 4/18/06 at 09:32 PM
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