I posted in the previews thread, but since the seating thread got bumped up I'll post here, too
I saw the show 3 times
Orch E1 - literally a perfect seat, absolutely no complaints
Mezz A30, quietly and quickly moved to A18 after "Goodnight My Someone" during the applause break, mostly to get away from the guy in A34 who thought the lights being turned down meant it was okay to free his nose from his mask, even after being told by the usher not to do that - I generally don't like mezz seats, so for me this was the worst of the 3 performances. But most people will love A18. Due to the curve of the mezz it's not terribly far back, it's full view, and you get a great view of the dance numbers. A30 had some side action cut off but is also only $99, so a great budget option. The leg room is a huge plus, too. I have vision problems that make it hard for my eyes to focus from that far away, so I could not really see faces very well. But people with better vision than me probably could see faces fine.
Orch A1 - Amazing for a 3rd visit to the show. Would likely not be amazing for someone's first viewing. Shouldn't be $300, either, but it is. I love sitting close (on the same trip I sat in front row for Company and second row for Come From Away), the stage height did not bother me, sometimes ensemble members blocked upstage cast members. But a lot of the show takes place front and center, so those moments were very few. It's not the best place to sit if you want the full scope of the dance numbers, but it's great for watching character interactions.
(in my home touring venue, I almost exclusively sit front row off to the extreme side, so please take my review with as many grains of salt as you want; I am always viewing shows from an extreme angle, and I value facial expressions over seeing the whole stage at a glance)