Sit-downs in LA and Chicago

What is your opinion on sit-down productions of popular broadway/off-broadway shows opening in places other than the great white way?

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I'm in LA, so naturally, I am for them.

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How long did Lion run?

Does that make it the longest one in LA?

Yes, but what show has had the LONGEST sit-down run in LA? It might be Lion King. How long did that run?

best12bars - yes, you are correct about Dale Kristen.

I know that Phantom ran a long time in LA, but did it run as long as The Lion King???

And Dale didn't need vocal tracks. She hit those notes LIVE, every night.

I remember her telling me one time that she was given the note, "You don't have to hold the note for so long" and her response was, "But I can."

Love her!!!

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I was surprised that Mormon didn't sit down in Tinseltown?

I know it wasn't a sit down, but it must thrilling to have the US premiere of the revised Sunset Boulevard?

Wicked sucks ass...

B12B, that clip brought about chills and goosebumps!

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Phantom of London --- the U.S. Premiere of "Sunset Boulevard," starring Glenn Close, George Hearn, et al, was supposed to be a sit-down production at the Shubert Theatre in Los Angeles. That's where I saw it, and it got solid reviews (better than London---especially for Close).

This show opened while the London production with LuPone was still running.

Then suddenly, Lloyd Webber announced that he was going to use Glenn for Broadway instead of LuPone.

He also announced that Faye Dunaway, Rex Smith, and John Cypher would be replacing the leads for the sit-down company already running in Los Angeles.

We all know how that worked out. (From what I understand, advance ticket sales in L.A. immediately dropped with the announcement of Close's departure.)

Weeks later, he announced that he was closing the L.A. company and moving the entire thing (down to the very last chorus member) to Broadway. This would be his NY company.

It surprised everyone, especially Judy Kuhn, who was pregnant at the time. She decided not to go to NY as a result. I believe she was also still recording the vocals for Disney's Pocahontas. She had several reasons to stay in L.A. right then. So they recast the role with Alice Ripley (it's still Judy on the American recording).

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Updated On: 5/26/12 at 09:17 PM

One other thing about the Phantom sit-down in Los Angeles ...

Webber paid to shut down the Ahmanson Theatre for six weeks before and after the show's run (not unlike "Cats" at the Winter Garden) to have the entire floor and fly space redone to suit the needs of the production. All of the hydraulics and trapdoors were installed, as well as the chandelier over the audience. All of the full-sized candelabras rose out of the floor during the title song, etc. There was no difference between the L.A. production and the Broadway production.

Actually, I take that back (having seen the show in both places) ... the Los Angeles prodction was bigger, because of the size of the Ahmanson stage and its proscenium (not to mention its seating capacity in the house).

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Updated On: 5/26/12 at 12:44 AM

I'm not really sure what to 'think' about sit downs -- what is there to think of?

It's great. Anything that employs actors and puts out a good (or better) performance is worthy. It won't hurt b'way in any way.

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Wicked actually almost ran for two years at The Pantages, Its run was extremely successful. Phantom was probably able to run longer because Center Theatre Group is non-profit and usually assists its shows in many ways.