Broadway Legend Joined: 10/10/08
The British Invasion? Dear Sweet Jesus.
The British Invasion? Dear Sweet Jesus.
EXPLAIN!
Broadway Legend Joined: 11/8/08
So is it opening with Good Morning Liverpool this time?
What? They are continuing the story with a natural progression in history!?!?!?!?
Featured Actor Joined: 6/27/07
I think with the original team on board...I feel some relief that it's in good hands
I am glad it involves the original creative team, but I honestly think a sequel is not necessary. Some things are just better without the sequel!
As much as I agree that sequels don't tend to work, I just love Hairspray. The music and the characters are so great! I could stand a little more hairspray action in my life. This could be good!
I agree a sequel is unnecessary, but two things in that article made me hopeful for the production for once:
1) the involvement of John Waters
2) Naturally progressing the time period to the late 60's
think of the time period Across the Universe had and what they did with it, in the hands of Waters and the Hairspray crew I think it's possible to make something really good out of this. First it was the Baltimore Teens against segregation, now it's them vs. the Vietnam War. The late 60's was a moment in time that provides a lot of material: hippies, british invasion, counterculture, sexual revolution, feminism, the summer of love, sociopolitical upheval and antiwar protests. I think Tracy, Link, Penny and Seaweed would fit right in!
well it sounds like it has the potential to be interesting
it shall be interesting to see who they choose to play Edna, since Travolta already said he is NOT going to do it
So MrSweetNAwful, it'll be like Hairspray without the spray?
Hairbraids!
Hairflowerdecor!
Hippiehairthathasn'tbeenwashedinmonths!
It'll be Hair, but with the lightheartedness of Hairspray
Light-hearted Hair? That would suck.
Yeah, I mean when I watch Hairspray I'm like, "Man, if only this wasn't so light-hearted."
Well Hairspray's plot wasn't always fluff and comedy, the subject matter was pretty serious and they knew it, but it wasn't as dramatic as other segregation stories and I think they could use the same subject matter as Hair and Across the Universe, put the bizarre John Water/Hairspray spin on it, but also treat it seriously at some points.
Case in point: I Know Where I've Been
More Elijah Kelley?
I'm in.
I think it'd work if they don't sterilize it the way they took all of the bite off of the original film. Hell, the film version of the musical was even tamer than the Broadway version.
I guess it's good because where else can Nikki Blonsky get work?
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