"Kunze translating a Musical again is indeed great news as I always adored his translations and Elisabeth is one of my favorite Musicals of all time. But his Wicked translation - in my opinion - fell short."
I agree that Wicked is not Kunze's best work. I don't know whose choice it was to change some of the names and I am usually not a big fan of names being changed either, but in the case of Wicked, I can see why they did it.
"Shiz" may have worked on paper, but when spoken out loud, it sounds like "Schiss" which might have been irritating for the audience. Same goes for "Boq", might have been too similar to "Boq" when spoken/sung out loud. The Morrible/Akaber change was not necessary, but I thought that it still really worked. The only thing I still don't understand is why they changed Dillamond to Dillamonth.
I always thought that the biggest problem when it came to translating the show into German was that there just is no German equivalent for the word "wicked." It always felt a bit awkward that they just left the word in English at the end of "As Long As You're Mine" (maybe because they wanted to sneak in the title somewhere), but Wicked probably just is a really difficult show to translate.
"Hopefully Schikaneder will be more up his alley."
I think it will be. Viennese history appears to really be his forte and he might feel more "at home" with this one while Wicked might have been more out of his "comfort zone", though he is a really flexible writer of course. And in the case of Schikaneder (yes, I still refuse to use the new tongue twister title), the show will have its world premiere in German so people will not immediately compare it to the original. Early readings might be held in English but unless they record a concept album, we might never get to hear the full English version. Unless the show will be brought to an English-speaking country, which I highly doubt.
Updated On: 5/9/15 at 11:37 AM