I'm in the minority, but ... while I appreciated aspects of both of the prior New York productions, I've never understood the widespread embrace of this play in the US, in terms of revisiting it frequently. Or more directly, why anyone thought we needed another edition in 2014, so soon after the last one. As always, a middling production of any play can make the original text seem less enthralling. (Remember the NIGHT MOTHER revival, which managed to dilute the power almost entirely, with two actors whose acting styles weren't remotely in sync.)
"I'm a comedian, but in my spare time, things bother me." Garry Shandling