Broadway Legend Joined: 4/5/04
From Playbill.com:
"Des McAnuff's long-expected new staging of the musical The Wiz will come to life at his La Jolla Playhouse as part of the company's new season along with the latest stagework from Aaron Sorkin and the announced world premieres of the musical Zhivago and Zorro in Hell.
The artistic director of the California company announced the additions to the 2006-07 Season Jan. 12. Also joining the schedule are a production of Bertolt Brecht's Mother Courage and all wear bowlers. Lee Blessing's Great Falls will not appear, as previously was expected.
"The Wiz has been a dream of mine for some time. I cannot wait to engage the minds of some of America's premiere theatre artists in re-imagining a modern Oz." Based on L. Frank Baum's "The Wonderful Wizard of Oz," Charlie Smalls scored the urban take on the classic Dorothy tale featuring orchestrations by Harold Wheeler — who will be part of the process. McAnuff stated, "Our production will reflect the shifts that have occurred in the dominant pop culture, in both music and theatre, since The Wiz's history-making Broadway debut in the 1970s. This is modern Oz, with a modern look and modern sounds."
News about the forthcoming revival broke in April 2003 and was expected to reach Broadway in spring 2004 but never came to fruition. Now following McAnuff stagings of Dracula, the Musical Billy Crystal's 700 Sundays and Jersey Boys, the work will see the stage. (All three of those works first appeared at La Jolla.)"
http://www.playbill.com/news/article/97303.html
I love that I live in San Diego!
I am so excited for this. I wonder what sorts of changes will be made to the music.
hullo! I am so excited about this. Who do you think will be cast?
I'm jealous of anyone in California...so basically i'm crossing my fingers that this will come to Broadway.
Broadway Legend Joined: 12/8/04
Broadway Star Joined: 1/6/05
marcy harriell as dorothy?
Broadway Legend Joined: 2/15/05
I hope Nikki M. James get cast, she's great. I can't wait for this, I hope it transfers to B'way. I want a Cast Recording to be made.
On a related note, anyone of any pictures of what the LaJolla Playhouse's theaters look like? Like the inside. Thanks.
Click on the photos of the theatres on the right hand side on the link.
La Jolla Playhouse
FINALLY.
hooray! can't wait!
EDIT/threadjack: this "Zhivago" doesn't sound too shabby either, though Dr. Zhivago would be the last thing i would expect to see a musical of.
Updated On: 1/12/06 at 08:07 PM
Excellent.
Oooh I'd like to see Anika Noni Rose in this!!!
I have always wanted to deign the set for this show, with 3-D grafitti intertwining and jutting all around the theatre. I hope the deigns are great.
Akiva
Broadway Star Joined: 9/29/04
Yea for The Wiz. Nikki M James should be in this show.
Finally! I am so exited!
Mary Bond Davis for Evilene.
I would love to see Tamyra Gray as Dorothy. I don't know how well she can act, but she's got the voice. Anika Noni Rose would be a good choice as well.
I hope they are able to suck some of the 70s sound out the score, without trying to make it sound too hip-hop, because frankly that never works very well. Harold Wheeler's a top-notch orchestrator, though, and I wouldn't be surprised if he is able to make it sound very edgy and urban without trying to make it something it's not (for further study, see the "Hip-Hopera" MTV produced several years ago).
"Mary Bond Davis for Evilene."
I second that! Bring Mary back to San Diego!
Broadway Star Joined: 3/18/05
If Heather Headley were a couple of years younger...
But I would LOVE to see Anika in this role.
And Melba Moore as Glinda.
I'm really excited for casting.
What does everyone think about the idea that they are making this a multicultural show?
Is there any role that Heather is fit for? I've never seen a production of this nor the movie. But I love Mary Bond David so that'd be cool to get her on stage again.
Cheers,
C.
Broadway Legend Joined: 2/15/05
Yeah, does this show have to be an all black cast? I mean color purple I understand, but is there a reason it couldn't be multi-cultural or whatever? I also agree with whoever said that they def. do not need to try to make it sound "hip hop." Ugh, I can't stand when older people try to appeal to the youth by trying to make the music "hip" (I.E. Princesses). Just get rid of the funk, and get rid of the synths.
I'm concerned by "this is modern Oz with a modern look and modern sounds". Why am I concerned that it could end up cold and bleak?
Regarding the casting possibly being multi-cultural, the original Australian production (1976) had black principals and a white chorus. In every other aspect it was a reproduction of the 1975 Broadway presentation.
Broadway Legend Joined: 4/5/04
I don't know, as much as I'd like to see this show on a professional stage again (I saw the original production back in the 70s) I think it's impossible for me NOT to have mixed feelings about it being brought back and completely rethought and revised, especially without any input of Geoffrey Holder and George Faison. This show was originally created to be a re-thinking of "The Wizard of Oz" as a reflection of the BLACK, urban cultural ethos of the 1970s. Certain aspects of the slang in the dialogue, staging and the wonderful score by the late Charlie Smalls are now dated and need to be rethought for 2006. It was decided that Des McAnuff was the man for the job...... OK, we'll see what he comes up with.
But, without seeing anything that's been done, I will say that if it involves getting too far away from the original concept, then I wonder whether McAnuff and the rest might not have been better off just coming up with an ORIGINAL 2006 concept for the show rather than trying to re-invent THE WIZ. I'm not criticizing something I haven't seen, but "The Wizard of Oz" is out there in free public domain for anyone to take if they want to create a new show based on it. THE WIZ was a very specific show of a very specific time when black urban culture had completely taken over popular music and fashion, so much so that a mainstream re-thinking of a classic with afros and bell bottoms and a (then) contemporary r&b score was tried and found to appeal to a wide (white) audience and ended up running on Broadway for several years (not to mention a movie that doesn't need to be ..... mentioned).
Many basic and fundamental changes are said to have happened with this new version of the show. Understand that some shows cease to work entirely once they lose their original visions.
In 1975, THE WIZ was a new hip "funky" version of "The Wizard of Oz" with a score and design that was very much OF the time. In 2006, that's no longer the case, so this is what the new creative team is trying an update. OK. So 30 years later they're attempting to do a complete revision of a complete revision of a 100 year old work? Using a 30 year old score which is now not even remotely (even with major remixing and reorchestrating) hip or funky or contemporary in any sense -- though some of the ballads may still work? Rewriting a book filled with jokes that were lame and Beacon Theatre level 30 years ago -- for those who don't get that reference, please go see "My Grandmomma Prayed For Me" or "Beauty Shop 12" the next time they go through town?
What was briliiant about THE WIZ in 1975 was Geoffrey Holder's extraordinary (later Tony winning) costumes as well as his remarkably imaginative staging (also Tony-winning), George Faison's brilliant (Tony-winning) choreography, Charlie Smalls wonderful (Tony-winning) score and what was, at the time a very fun and funny "hip" version of the Wizard of Oz tale in William F. Brown's (Tony-winning) book and the wonderful performances. If you toss out the the original sets, the book (which apparently they've done -- not much of that book is left now, which in 2006 makes sense), the brilliant costumes, staging, and choreography, they're so "rewriting" and "reworking" "rethinking" and "reorchestrating" the score that it barely resembles what Charlie Smalls wrote.
So exactly what's left of this show???? The Wizard of Oz story, a bunch of black people on stage and Des MacAnuff to tell them what to do. Only it's no longer just black people -- it's now "MULTI-CULTURAL" so it's black and Asian and Latin and white people staring at him, wondering what they're supposed to be doing, since he's tossed out everything else.
I really don't mean to be cynical -- OK maybe I am. But, given everything, with tons of money at La Jolla and the freedom of YEARS and YEARS to develop something, why not AT LEAST come up with (yet another) NEW version of the Wizard of Oz if that's what he wanted instead of spending THREE YEARS overseeing a rewrite of a rewrite of it? Using a 30 year old score, making it now "multicultural" and thereby destroying what made it originally interesting and unique?" But why would anyone expect more from someone who's now considered as some kind of "savior of Broadway" for delivering a successful Four Seasons jukebox musical and a Billy Crystal standup act? Both are/were competently presented, well-attended and now offer millions to their investors -- that's all that the contemporary theatre is supposed to offer, right? MacAnuff the Hero! Hail Broadway!
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