Lovely cast, and not to hang the black crepe, but it has only ever worked in concert thanks to Yeston's glorious choral passages. I do like seeing the word "intimate" in the marketing and I can imagine it might be persuasive in Westchester. On Broadway? Not so much. I wish them well with a tricky piece.
I saw a super intimate production of the show in Rhode Island last summer. Just piano, cello, and violin, I believe. Really beautiful. You really don't need these huge mind-blowing special effects. It can be very cleverly staged.