The 9 TO 5 Original Cast Recording — Page 2

iflip4musicals, that makes a bit more sense, it's just odd to me that it isn't Janney, Hilty or Block singing that first line. Not a big deal at all, just something that stroke me as odd.
It's not the kind of score that I think is so awful that I don't get how people would like it (THE WEDDING SINGER, I'm looking at you), but it's still so...generic, there's just no other word I can use to describe it. I get it's supposed to be fun and all that, it's just this season's LEGALLY BLONDE, I feel. Difference is I actually enjoyed more songs from that show than 9 TO 5. Perhaps because I thought I'd despise LEGALLY BLONDE and thought I'd love 9 TO 5.
"One of the Boys" almost bothers me, actually. I think John Kander and--if there is one--the Fred Ebb estate should get royalties for it even if Janney sells it like the pro she is.

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I'm so happy they added the alarm clocks for the opening number, which was missing from those downloadable songs released a few months ago.

I also love Stephanie's more raw sound on 'Get Out and Stay Out'. On the demo she doesn't sound as emotional. Then again, it could just be the better orchestrations.

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That is an interesting point Ray. Why is the first line of 9 to 5 sung by a man?

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"And to the whole "man singing the first line in a female power show" (MINI SPOILER ALERT?) It's Andy Karl who is on the womens' side, so it makes more sense once you (the audience, not a direct attack) learn that. "

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I don't know why I feel the need to be so defensive about this show, but here goes!

I don't find Hilty and Block to be flashy, I know they have a big fan base (myself included). I do think, however they are fantastic performers. Block has really grown, in my mind. I saw her as Elphaba in the 1st national tour and did not like her, but now I love her and think she is a phenomenal performer. Always liked Hilty (plus we have the same birthday - so does Susan Blackwell - which just makes it more fun!).

I don't love Janney, but will admit that she sounds a lot better on the CD than live IMO. I think she can certainly sell a song, but sing a song is a completely different story.

As per the bland/Legally Blonde comparisons/ripping off thing: I have a lot of respect for this score (and I'm pretty sure I've said this before) because it brings us back to a different time in musical theater where not all scores were pop rock and many shows didn't exist in only one act. Perhaps that's why she used Kander and Ebb styles - or songs - to exemplify that. I could also be reading way more into it than anyone should. I think Legally Blonde tried to call us back to a different time, but didn't go all the way. 9 to 5 has an entre'acte! Would I call it the best score to hit Broadway? H*ll no (can we use the real word, I'm not up on the rules as I should be), but I do think Dolly did a great job for her first bway score.

I know Backwoods Barbie ended up on her latest solo album, but was it written for that album and used in the show, or vice versa, I never remember the story.

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Updated On: 7/10/09 at 11:19 PM

Then maybe it "reminds" us of a different/older time in theater. I like how she paid homage to Kander and Ebb and the general "rules" of the time.

I think "Man in Chair" would like it, and I trusted his opinion on "The Drowsy Chaperone" (Gabel and Stein's of course)

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Actually, now that I'm thinking of it, "One of the Boys" reminds me of a big musical number that would be in a show in the golden days of Broadway.

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That was going to originally be Megan's line but Stephanie asked Megan & Dolly if they could switch because of the Elphaba thing.

My favorite track on the CR would have to be "I Just Might"