I totally understand what Foster is saying. I think others are confused about his statements because BILLY ELLIOT is quite a different scenario than we've seen in a LONG time. It's a legit family show which isn't at all geared for kids. It has spectacle, it has charm, it has heart. It has stunningly talented kids, and theatre-favorite adult performers. It has Elton John. It has touring potential. It has success, financially, critically, and with audience response.
In other words, it crosses SO many categories. It's not just the "big-budget musical monster" that other shows have been. It's that, plus everything else.
So in that regard, this year is unlike other years' Best Musical competition.
I don't think BILLY ELLIOT needs "protecting." But if 9 TO 5 were to have been nominated, and it did get the road votes et al, I think the theatre community would be SCREAMING with conspiracy and outrage if it won.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle