The next Andrew Lloyd Webber musical is...
Posted: 8/25/06 at 10:39am
I love my ALW!
Posted: 8/25/06 at 10:39am
Oh, God... Well, ALW, good luck with that!
Posted: 8/25/06 at 10:43am
Posted: 8/25/06 at 10:43am
Posted: 8/25/06 at 10:44am
By the way, I was joking, so don't eat me.
Posted: 8/25/06 at 10:47am
Posted: 8/25/06 at 10:49am
Woland
a mysterious gentleman "magician"
Behemoth
fast talking black cat
Koroviev
"ex-choirmaster" valet
Azazello
the fanged hitman
Abadonna
a pale-faced individual
Hella
the witch
Berlioz
the head of the literary world
Margarita
the Master's lover
Posted: 8/25/06 at 10:52am
And please, Lord Lloyd Webber, don't have the Devil and the naked lady send the giant black cat up to Kitty-Cat Heaven in a huge pyrotechnic piece of trash. Amen.
Updated On: 8/25/06 at 10:52 AM
Posted: 8/25/06 at 10:53am
"I'm not in Bambi and I'm not blonde!" - Idina Menzel
Posted: 8/25/06 at 11:14am
BUT WHY ALW?!
anyone else, please! come and take the rights from him, he will ruin a perfectly good story for a musical.
(anacdote: I once saw an original israeli musical based upon that book, with Topol as the devil, and it was lousy. a bad bad bad score.)
http://musicalkid.multiply.com/
Posted: 8/25/06 at 11:32am
But please, no Michael Crawford this time. Pleeeease!
Posted: 8/25/06 at 11:38am
Updated On: 8/25/06 at 11:38 AM
Posted: 8/25/06 at 12:18pm
He writes wonderful melodies (or "borrows" them from the right people, i.e. Puccini) but he has no idea where to use music for dramatic effect, how to use it to heighten emotion and develop character, and most importantly when not to use and let dialogue carry the story. Any theatricality to his shows is a result of the direction and design elements. There is nothing inherently theatrical in the writing.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Posted: 8/25/06 at 12:20pm
Posted: 8/25/06 at 12:53pm
But knowing ALW he'll find some sort of creative way to handle it!
Posted: 8/25/06 at 1:15pm
Posted: 8/25/06 at 1:19pm
Posted: 8/25/06 at 1:28pm
I'm glad people are hoping that Andrew Lloyd Webber writes a good piece of theatre. They've already dismissed him on the other board, which I think is just terrible. Why do we tear down writers that we've put in boxes when they try and break out of them? The same thing happened when Stephen Schwartz announced that he was writing an opera. Who is it helping? Is it really the actions of people who claim to love theatre? If we love it, I think we should approach every new work hoping that it's the best thing we've ever seen. Otherwise, you're actively hoping for the art form you love to fail and die.
The one person so far who has said this won't be good for Andrew Lloyd Webber did it intelligently and with reasons why they don't like Lloyd Webber's writing. While I personally disagree with that poster's comments, and don't like the attitude that they're right and "When will ALW's fans learn?", at the heart of it they were merely expressing an opinion without vitriol and nastiness. I hope that people go a little easier on Lloyd Webber.
Anyway, as I read the brief description of the novel, it sounds like it might be the perfect piece to reunite Lloyd Webber with Tim Rice. It sounds like there are equal parts religious and political satire/commentary, which we've seen Rice handle before. Thoughts on that? Does anyone who knows the novel better have any ideas for the lyricist?
Posted: 8/25/06 at 1:36pm
joey
Posted: 8/25/06 at 1:38pm
Oh Andrew Lloyd Webber will you please end this Charade.
Posted: 8/25/06 at 1:48pm
*mouth hangs agape*
This is one of the most complex and interesting novels I've read, and the concept of it being musicalized has never, ever entered my mind. Not a light read!!
I wish ALW could be placed in a time machine and transported to 1976 before he was actually allowed to compose/write this project, but that seems unlikely, no?
Updated On: 8/25/06 at 01:48 PM
BroadwayWorld TV