Have you ever wondered how some people's opinion of a single performace could vary so widely. Of course everybody has different interests and everybody has their own "cup of tea", but what about speaking strictly objectively?
There have been many times when I was blown away by a performance to just see the same performance by the same cast ripped apart by critics/ posters on this board. Granted, I have never studied musical/ dramatic theatre, but it is somewhat frustrating.
I try to watch a show objectively and understand other people's criticisms but I never can and nor can I generally explain why I do or do not like a performance in the way that some people can pinpoint exact elements of a show/ actors performance which moved them.
This was somewhat hard to put into words and is more of a comment than an actual question, but it is something that I have been thinking about.
Two words: Young Frankenstein. I think it's the best thing on Broadway right now and it totally got smashed by critics... I also kinda don't like Spring Awakening all that much...
it's not difficult to articulate, you just didn't do the greatest job...
but seriously. I know what you're saying. that's art. that's theatre. that's music.
it's not a science. it's not a math problem. there's no right or wrong, when it comes down to it.
yes we are all VERY opinionated but it's all about perspective and interpretation. I think something is "trash" and you think it's a "masterpiece"
It's just part of theatre. I know I become very opinionated about things so I always throw that concept out the window... but there's no WRONG way of doing theatre.
it's whatever you want or enjoy or believe in.
Patti LuPone, hate the woman, but hey some people seem to like her!
That's why it's art. Why do we fall in love? Why are some people happy to be accountants and others need to jump out of airplanes to feel alive?
It's human nature. Just because you aren't "educated" about theater doesn't mean your opinion is wrong. If something (or someone) moves you, it moves you, pure and simple.
EVEN if someone else's arguments MAKE SENSE...doesn't mean you have agree. I can be objective: performances were good, but still disliked the production. It's still just an opinion.
Relax and enjoy...no matter what "everyone else" says.
toodarnhot- How could I have articulated this more clearly if you don't mind me asking? I really am trying to become more skilled at writing clearly and fluently. I know you aren't a writing professor (or at least I am guessing) but I wouldn't mind a few pointers.
Paragraph breaks are fun.
LizzyCurry- good point and sorry, I'm just lazy about paragraphs
dramamamma611- thanks. I think I needed to hear (or read lol) that.
I agree and I think that this year seems to be more polarizing than most based on what I read here.
I'm glad to know that it isn't just me.
I've actually thought a lot about this question...
I think it's because at its heart, theater is trying to affect the thoughts and emotions of its audience. It's not like a math problem where if you do the equation correctly, you come up with the right answer, different things affect different people differently. I actually think that on this board, once you get past people's passionate reactions (such as "Enough with "Wicked" already!") you actually get a pretty accurate idea of the show's merit - in that many people with different opinions can discuss their views - views that are based on emotion and intellect.
My problem tends to be with the Critics. I find that they go into a show with SUCH an analytical, technical viewpoint that they can't always see past it to the heart of what's going on. I think that's what happened with "Wicked." Pretty much all the Critics saw was what was lacking technically, and they missed the heart of what the show was trying to say. (This isn't meant to be a defense of "Wicked", just an analogy.)
Elphie3- good point. I understand how different shows can reach different people in different and personal ways emotionally. What I've had a problem with was when people try to critique shows analytically.
For example, when people critique certain technical aspects of an actor's dancing it is often above my head. This is also often the case when people dissect an actor's voice by calling it flat or analyzing which notes they've reached at certain points or when an actor is "breathy". I'm often left thinking "well, it sounded fine to me".
For dramatic performances, people will often critique with comments such as "so and so did not understand their role" or the like. I often have a difficult time understanding how these types of judgments are made.
I totally understand where you're coming from.
I think the problem is the more you REALLY know about theater and how it's done, the more you're aware of what's technically good and what's not. It's a blessing and a curse. I think it's the same problem with some Critics. They know SO much about theater that they can't go in and truly view something as an audience member anymore. Likewise someone who hasn't spent YEARS in school for music, etc. isn't going to realize that chorus member number five was slightly flat.
I say, don't worry about it. It's an age old problem: the more you know, the more it takes to impress you. If you enjoy something that's all that matters.
Thanks elphie, that really does help. My interest in theatre started late so I never had the formal training many other people on these threads have had.
Broadway Star Joined: 12/12/05
I started to have the same problem of being far too judgmental after having seen so many productions, but really if a performance was entertaining, who really cares what critics think? Though some people may not agree, the first and foremost purpose of theatre is to entertain.
Leading Actor Joined: 3/2/08
We have a critic here in Buffalo, if he raves about a film, I know I will hate it, If he doesn't like it then I know I will.
Yeah, if you like something, don't feel embarrassed to like it. Theater is pretty much like a movie, except done live and it lasts longer in most cases. Yeah, pretty much I go to shows thinking they will be fun, or if there is something about it that makes me want to see it. I know Mamma Mia is not a popular show here, but I just love the music, and the cast was fantastic when I saw it. :)
And again, the technical aspects of things can definitely ruin your percerption of how things can be. I'm aweful with television and probably movies now. I've done production work a tiny bit in both, mostly amateur stuff, but I definitely try to study everything now and figure out how they were filmed and what not. It's sort of fun, but also frustrating to care, because sometimes I just like to sit and watch.
i hear ya on that one.
and its weird some of my friends and i have the same favorite shows but there will randomly be one that some one loves and everyone else hates, its odd. this doesnt just pertain to theatre though, its true about most things.
It's called an 'OPINION'.
They are like butt holes.
Everyone has one and they all stink.
lmao TheatreDiva, that was great.
Broadway Legend Joined: 4/10/08
Really, the best critics summarize a show in such a way that you can decide whether or not it is something you would be interested in seeing. Some critics however, seem to be on a power trip, like there is something about themselves that's lacking and they take joy in controlling others' destinies. At least it sometimes seems that way.
As the old saying goes:
De gustibus non est disputandum.
Well put KrissySim!
Broadway Legend Joined: 12/18/07
Theater is pretty much like a movie, except done live and it lasts longer in most cases.
Marianne2- I disagree with your comment. Theater is pretty much NOT like a movie.
There are stories that work best in the theatre and others that work best as a movie. Our Town should have never been turned into a movie. It doesn't work. Gone with the Wind should have never been turned into a play or a musical. There have been two Gone with the Wind musicals, both are awful.
Theatre is an actor's medium; film is a director's medium.
A Director: I think Marianne's analogy between theatre and film only applied to the way in which different people's perception of each can vary widely, with or without a formal training in the production of these mediums.
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