OK, I didn't see him on Broadway. I saw an understudy in Los Angeles in 1977. Doesn't matter. Whomever did that monologue and did it well was going to win that award - nothing against Mr. Williams, who by all accounts did a masterful job. And everyone in the cast knew it.
And as for Mary Louise Wilson, for me, she won for that last scene after Another Winter in a Summer Town where she...
SPOILERS AHEAD!
...can't open the can and breaks down in her bed.
That got her the Tony. I knew she'd win with that moment. When people started shouting about Orfeh and D'Amboise, I said, "Yes, but did they have THAT moment?" Orfeh certainly didn't and D'Amboise might have with The Cassie Dance, but she wasn't all that good. Wilson nailed the Tony with that cry of "Edie..." and the rest of the scene.
I couldn't agree more. Sure there are many songs that cinch a Tony for an actor, but this was the only cast I could think of with a specific moment. When I heard her call out "Edie" my heart broke.
Theatre is a safe place to do the unsafe things that need to be done.
-John Patrick Shanley
Call me an idiot but I've "somehow" seen clips of Stephanie D'Abruzzo singing There's A Fine, Fine Line and I would have given her a Tony for that moment alone.
Okay, you are an idiot.
Some of these are really bizzare moments.
I agree with the Mary Louise "I can't open the can" moment.
Tonya's line in "Lot's Wife" when she says, "murder me, God" I knew that Tony was hers.................of course we all know what happens next. (insert bitter response)
"Girl, this cupcake is the jumpoff"- Adriane Lenox