#1
Posted: 5/9/05 at 7:31pm
Since we basically know the Tony nominees in the main categories (Acting (supporting/lead;musical/play), Show (musical/play;revival/original) etc, what category do you think is really heating up already with tough competition and who do you think will and should win from that category and explain why for each.
I believe that BEST MUSICAL is the toughest category
SHOULD: "Bee" *ShIlL! sHiLl!* Yes, yes, say what you must and get it over with but I think that most critics, Tony voters, and audiences would agree this was the best musical of the year. It's funnny and exciting and *to kind of steal a line from Entertainment Weekly's review of Avenue Q* just as you are finishing laughing hysterically from the uproarous one-liners and songs, you are blindsighted by a sincerly beautiful love song or a truly lovely and touching moment. It also deals with this range of emotions very well.
WILL: As of now, Spamalot. The reasons are obvious; its a HUGE HUGE HUGE hit that already had a cult following to rival The Producers before it opened on Broadway, its a big, glitzy show, and it IS very funny.
Also: a side note/question...am I the only one who thinks that in the Supporting Actress category which I believe will consist of Celia Keenan Bolger, Kelli OHara, Maureen McGovern, Joanna Gleason, and Sara Ramirez, Sara and Maureen could possibly cancel eachother out since the race may seem a bit too close between them and the award might go the the wonderful Keenan Bolger, the incomparable OHara, or the truly excellent Gleason?
I believe that BEST MUSICAL is the toughest category
SHOULD: "Bee" *ShIlL! sHiLl!* Yes, yes, say what you must and get it over with but I think that most critics, Tony voters, and audiences would agree this was the best musical of the year. It's funnny and exciting and *to kind of steal a line from Entertainment Weekly's review of Avenue Q* just as you are finishing laughing hysterically from the uproarous one-liners and songs, you are blindsighted by a sincerly beautiful love song or a truly lovely and touching moment. It also deals with this range of emotions very well.
WILL: As of now, Spamalot. The reasons are obvious; its a HUGE HUGE HUGE hit that already had a cult following to rival The Producers before it opened on Broadway, its a big, glitzy show, and it IS very funny.
Also: a side note/question...am I the only one who thinks that in the Supporting Actress category which I believe will consist of Celia Keenan Bolger, Kelli OHara, Maureen McGovern, Joanna Gleason, and Sara Ramirez, Sara and Maureen could possibly cancel eachother out since the race may seem a bit too close between them and the award might go the the wonderful Keenan Bolger, the incomparable OHara, or the truly excellent Gleason?