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Twelfth Night and Richard III reviews on Broadway

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#2

Twelfth Night and Richard III reviews on Broadway

To sum up all of the reviews from the major media outlets:

Mark Rylance is a triumph.
The ensemble is magnificent.
The direction is superb.
This is how Shakespeare should be done.
Mark Rylance will win the Tony.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
#6

Twelfth Night and Richard III reviews on Broadway

Who is the bigger disgrace? An actor who gives a disgraceful performance, or critics who fall all over themselves bowing and scraping before it?
#7

Twelfth Night and Richard III reviews on Broadway

^ OH SHUT UP. get back to me when you can memorize a 20 minute monologue and have two tony award, then will talk about Rylances capabilities as a performer
#8

Twelfth Night and Richard III reviews on Broadway

^

Shut up yourself, and I'll get back to you right now.

The proof is in the pudding. What he did in these two plays was a disgrace, and an affront to both the audience and the theatre.
#9

Twelfth Night and Richard III reviews on Broadway

Just use the ignore feature and block him. A8 will never have anything constructive to say.

There is no "proof" in an opinon, A8.
If we're not having fun, then why are we doing it? These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
#10

Twelfth Night and Richard III reviews on Broadway

double post


If we're not having fun, then why are we doing it? These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.

Updated On: 11/11/13 at 04:54 AM

#11

Twelfth Night and Richard III reviews on Broadway

The biggest disgrace is the oaf who takes a superior stance to anything that receives praise, apparently with the aim of "knowing" more than everyone else.
#12

Twelfth Night and Richard III reviews on Broadway

^

Just telling it like it is. And what is more constructive- or instructive - than that?

My Fair Lady, Mary, Mary, Dolly, Fiddler all received praise, and I agreed wholeheartedly.So did Rylance in Boeing-Boeing, and I agreed there as well.



Updated On: 11/11/13 at 06:44 AM

#13

Twelfth Night and Richard III reviews on Broadway

After Eight:

The proof is in the pudding. What he did in these two plays was a disgrace, and an affront to both the audience and the theatre

I wonder what "proof" he is alluding to. I'd also be curious to know why it's an "affront" to audiences. No one I know found this production to be insulting. Oh well, I guess we'll just have to take his poorly worded blurb at face value.



The NYT

This is how Shakespeare was meant to be done"... Because they know what they're saying - and where what they're saying comes from - we do, too. And even if you're an inveterate bardolator, you may find lines that you never fully grasped before making sense...Mr. Rylance's Olivia, the best I've ever seen, is a vulnerable woman newly come into power after the deaths of the men in her family...His interpretation of the crookback king is as thoroughly thought out as it is daring

Or, we could always read a real review by a journalist who seems to understand Shakespeare, the theater, and how to use English.
....but the world goes 'round
#14

Twelfth Night and Richard III reviews on Broadway

I may regret this, but OK, I'll bite. After Eight, what is so disgraceful about what Rylance does?

I've seen some say his efforts in Richard III are too broad or bawdy, but others say this production simply brings a more comedic interpretation to the source material. I don't believe I've seen anything that much criticizes Rylance in Twelfth Night unless it is refers to the degree/intensity of how he plays his role.

And while most critics do indeed heap praise and focus on Rylance overall, a fair number of them also focus on other members of the ensemble and discuss how these productions really rely on Shakespeare's language to create the stage experience rather than sets, props, or special effects.

Updated On: 11/11/13 at 06:56 AM

#15

Twelfth Night and Richard III reviews on Broadway

Who is the bigger disgrace? An actor who gives a disgraceful performance, or critics who fall all over themselves bowing and scraping before it?

Or a compulsive kvetch?
#17

Twelfth Night and Richard III reviews on Broadway

So After Eight's opinion has gone from, "Mark Rylance, gifted as he is, seems to be acting in a style wholly different from that of everyone else, engaging in exaggerated little bits to liven things up and score laughs. He scores them, but it jars." to "disgrace" and "affront."

I wonder how worse the performance will have gotten next time he posts.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#20

Twelfth Night and Richard III reviews on Broadway

I found both productions to be thrilling, once-in-a-life-time experiences. Both texts are illuminated in ways I have never before witnessed. Bravo to one and all!
#21

Twelfth Night and Richard III reviews on Broadway

I found both productions to be thrilling, once-in-a-life-time experiences. Both texts are illuminated in ways I have never before witnessed. Bravo to one and all!
#22

Twelfth Night and Richard III reviews on Broadway

Seeing Richard iii next week after Twelfth Night yest. matinee - delightful, I was just a bit underwhelmed, given the hype, with Act I, but Act II completely won me over. Rylance once again makes Milwaukee and London proud! And Samuel Barnett, whom I've loved since History Boys, is the perfect Viola, and I so look forward to his White Queen in Richard III, his scenes with Liam Brennan's Orsino (can you say HOT? I know that you could!) were as heartbreaking as they were hilarious, touching just enough on Brennan's homoerotic discomfort without ever veering into cheap homophobic yucks, and Barnett's every move here and elsewhere shows he is one hell of an actor with a great career ahead of him. The Belasco has never looked as beautiful with this set and natural lighting. WHAT A SHOW (with an pitch-perfect turn by Stephen Fry seeming just another great performance in a flawless company!) AND WHAT A SEASON THIS IS TURNING INTO!
#23

Twelfth Night and Richard III reviews on Broadway

Just saw Richard III this afternoon and seeing Twelfth Night next week.

I knew Rylance would be good--but what a different and powerful Richard he played!

But I was unprepared for how good Samuel Barnett is as Queen Elizabeth. Even seeing him in History Boys and a few other things and liking him, I had no idea he was capable of such a powerful performance. In that final confrontation scene, he was every bit Rylance's equal.
#24

Twelfth Night and Richard III reviews on Broadway

You said it! Also, I have to also commend Joseph Timms. Although his part was smaller, he conveyed such a sense of devastation in his scene with Richard, I found it heartbreaking.
#25

Twelfth Night and Richard III reviews on Broadway

Saw Twelfth Night about three weeks ago and absolutely loved it. I enjoyed Act 1, though with a few reservations, but was then completely blown away by Act 2. Rylance and Fry are both excellent, but I NEED to give some special attention to Paul Chahidi, who is fantastic as Maria and will be the standard to which I judge all future Maria's. I'm seeing Richard III in February as that was the only time I could find any decent seats. This thing is selling out like crazy. So fantastic to see a production of Shakespeare sell so well without having to rely on movie stars to do so.
"Sing the words, Patti!!!!" Stephen Sondheim to Patti LuPone.

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