From the Talkin' Broadway review:
WAITING FOR THE MOON is the second F. Scott Fitzgerald musical that I have seen this season. The other one, Peter Mills’ THE PURSUIT OF PERSEPHONE which was workshopped by Manhattan’s Prospect Theatre, essentially covered Fitzgerald's years at Princeton University. I commend it to Messrs. Wildhorn and Murphy. It could teach them much about Scott Fitzgerald. More importantly, it could provide them an excellent object lesson on how to construct a musical."
Personally, I thought PERSEPHONE was the best score I had heard this season - an astonishingly fine group of bright and tuneful Cole Porteresque melodies with erudite clever lyrics.
I hope Wildhorn's show does not squash the future chances for Peter Mill's superb score, which I am hungering to see recorded.
If will be very intertsting to see if Wildhorn liked the score as much as I do.
"Christ, Bette Davis?!?!"