Posted: 4/30/22 at 6:08pm
Anyone else see this? I was there today and though it was a ravishing production of a strong play. In particular, Awoye Timpo directs this with supreme confidence, proving that she should be doing lots and lots more work in New York. Brittany Bradford anchors the play with a superb performance, but Thomas Sadoski matches her point-for-point, and the two have a shattering chemistry.
And what a pleasure to have Veanne Cox back in New York in a dramatic play! Her role is small but she steals the show for a bit. Rosalyn Coleman and Elizabeth Van Dyke also deserve to be singled-out. Wow that's almost half the cast! Bravo to all.
The whole production has real depth and texture to it, and honors Childress I think much more so than the baggy revival of Trouble in Mind did — by making an unforgettable piece of theatre! I will say the script is not outstanding, but it has real artistic perspective and many good scenes, and Timpo has seized every opportunity to dazzle.
Overall, I'd say it's one of the best shows of the spring, although with The Minutes, Hangmen, How I Learned to Drive, A Strange Loop, and this, we're really spoiled for the moment.
By the way, I'd recommend sitting on the "south" side of the theatre (lower half on the seating chart) — this might change in previews but most of the best moments were facing that way. I got lucky, but I'd be disappointed if I missed Cox's big moment.
Updated On: 5/1/22 at 06:08 PM