There's also the whole question of
how to adapt your source material. Today, it's generally more a process of slavish adherence to the existing story, with the lazy addition of redundant numbers (i.e.
Shrek,
Legally Blonde,
9 to 5,
The Color Purple, etc.).
But, to return to the previously mentioned R&H,
Oklahoma is more than just
Green Grow the Lilacs with tunes (Peter Filichia, I believe, once did a good analysis of that adaptation).
To me, the best adaptations bring
something new to the work - a new way to view the story, additional dimension to characters, even additional characters that help support the main story line.
Sunset Blvd does none of this; instead, it waters down the great movie to a flavorless, generic mush.
Updated On: 6/20/12 at 09:40 AM