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What's So Great About Eponine? — Page 2

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#26

What's So Great About Eponine?

If the title of the show and the title of the novel are "Les Miserables", how is Eponine the "least important"? Valjean may be the axis, but the story itself is supposed to represent a cross-section of a post-Revolution French society. Very much in the same way Ragtime uses Coalhouse Walker.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
#27

What's So Great About Eponine?

I used to want to sing "On My Own" at my ex's memorial service but believe it or not he's still alive.
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#28

What's So Great About Eponine?

B*tch gets to sing to this as a friggin backdrop:

http://soundcloud.com/user5432415/on-my-own-late-2009-preview

I can only imagine what that feels like live in the theatre and onstage.

Well, not anymore. Not with new Tom n' Jerry Saturday morning cartoon orchestration. *middle finger*
Recreation of original John Cameron orchestration to "On My Own" by yours truly. Click player below to hear.
#29

What's So Great About Eponine?

I always thought she was a repressed Lez in love with Cosette.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal "I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
#31

What's So Great About Eponine?

I don't really see a difference between Fantine and Eponine; to me they're brilliant female roles. They both sing a big belter, they both die tragically and both have 'death songs' that are sung with a male character that made a difference in their lives. And they're both supporting roles. To my mind Fantine is the most challenging of all the female roles in Les Mis: the actress is required to make a huge impact in 20 minutes on stage, required to show the journey of the character in such a small amount of time... Eponine moans her way through the show about 'oh he doesn't love me' bla bla bla, at least that's the way it was directed in the film.

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