Profile for Bettyboy72

I’m surprised at all the love for Cox. I’ve seen her in several productions and have yet to hear her sing on key. She’s always flat and caterwauling. Not pleasant. 
 

Im all for non-traditional casting but Alex doesn’t seem glamorous in the ways the role requires. I wonder if Sherie Rene Scott would be interested. I think she’d be great. She’s a great actress and can do camp and serve b*#chy. 

As for the continuing attendan

itsahopi said: "Bettyboy72 said: "MemorableUserName said: "Dee's on tonight (announced a few hours ago) and tomorrow's matinee (announced a few days ago). Hilty infor the Sunday evening (they had no Wednesday matinee this week; two Sunday shows instead) as of now."

It’s ridiculous to me that Megan is doing an 11:30am show at the Laurie Beechman Theatre on 5/10 but can’t do both of her Broadway shows. I’m sorry but that&

MemorableUserName said: "Dee's on tonight (announced a few hours ago) and tomorrow's matinee (announced a few days ago). Hilty infor the Sunday evening (they had no Wednesday matinee this week; two Sunday shows instead) as of now."

It’s ridiculous to me that Megan is doing an 11:30am show at the Laurie Beechman Theatre on 5/10 but can’t do both of her Broadway shows. I’m sorry but that’s unacceptable. People who paid to see her Saturda

I don’t think the number of quick changes or not leaving the stage for almost two hours is a justification for a leading actor calling out with regularity. If they are having difficulty with the demands of the show then conversations need to happen about alternates. Even during rehearsals or previews. This allows everyone a better experience-both actor and audience. 

Also, I don’t think it’s accurate to say most people don’t notice. I think most do notice.

I typically enjoy Lombardo’s plays. He writes snappy dialogue. I felt this show was rather inert. I feel that plays that show short vignettes over the years don’t build a satisfying dramatic arc and this fell into that trap. 
 

It was a short two hander but I got bored with the rote presentation and scenarios. Both actors are great but they aren’t given enough to do. Aaron is given a good amount of cringey creaky sitcom dialogue (saying M & Ms

I have tons of compassion for performers especially post-Covid. It’s insane how much stuff is going around and how it affects the voice. 
 

However I’ve attempted to see this show four times and not once have both leads been in. I think it’s a problem and producers need to look at an alternate schedule to give these women some respite. 
 

Reminds me when I tried 6 times to see Olivo in WSS to no avail and three times to see her in

I revisited the show with Betty during her last week. I preferred her to Cole, who was also great. She was slightly more deranged for me and oddly creepy in a funny way that Cole was not. I think I appreciated the script more with her in the role. It’s really subversive and funny. When. I saw it with Cole I couldn’t understand some of the dialogue. It’s easy to miss a lot. 
 

My only complaint was I was seated next to a cackling queen. This seems to be

I adored this play. All of the actors are incredible. Joanna Gleason shattered my heart in the most beautiful way. Andrew is sublime and carries the play. Jeanine was a force of nature. It’s a very personal play for Harmon and it’s very moving. 
 

The theatre has stadium seating so I’d sit in the last row center rather than the side. My only gripe is playing $135 and having to sit in those hard stackable chairs for two hours. It’s really hard on t