"But wasn't it something like 18 years between Broadway musicals for Patti (Anything Goes '88, Sweeney Todd '06)?"
Had it not been for that tramp Glenn Close and that troll Andrew Lloyd Webber, we would have enjoyed her in Sunset Boulevard.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
Oh...my personal experience was running into Justin Kirk backstage at a theatre complex where we were both performing. All I could think was, 'I've seen your penis...TWICE!'
"I'm so looking forward to a time when all the Reagan Democrats are dead."
Bernadette Peters, without a doubt. She's got the career history to support it. The other ladies (Audra, Donna, Christine, Patti) are all wonderful and may one day be considered the 1st Lady of the American Musical Theatre, but they're not there yet. Bernadette is the only one of the current generation of leading ladies that I would put in the same category as Merman, Channing, Martin ... all those grand 1st ladies of the past.
I am afraid to say anything after that comment! HA! But I would say Ebersole right now. Love me some Patti, Audra and Donna too!
Jack: For your information, most people who meet me do not know that I am gay.
Will: Jack, blind and deaf people know you're gay. Dead people know you're gay.
Jack: Grace, when you first met me, did you know I was gay?
Grace: My dog knew.
Actually, the last time I was on Job Seeker's Allowance, I did spend most of one of my "and are you looking for a job this week?" interviews chatting about "the queen of Broadway!". So Steve from my local job centre would probably put in a vote for Bernadette.
Since there is no way to arbitrate this fairly, we will never come to a group decision.
Having said that...are ya nuts about Bernadette Peters? I've seen her twice this year while she's been touring and I've seen LuPone 3 times this year while's SHE'S been touring and it's not even a contest.
What was controversial about the Bernadette Peters GYPSY? It was a decent bare bones production of the theatre's greatest musical. Peters was good, but not great, IMO. I wish I could see the Patti Lupone production next month. Having seen all the others, it will be the only "Broadway" production of GYPSY I will have to miss.
And in my opinion, it was one of the greatest performances I've ever seen in a musical...even with Ebersole and just below Natasha Richardson's Sally Bowles (which remains the best performance...musical or non...I've ever seen).
And the reviews spanned both what I and you think...plus a few outright pans. People were all over the map on that performance...that's what I mean by controversial.
"I'm so looking forward to a time when all the Reagan Democrats are dead."
I think Ebersole is currently the toast of Broadway, but Audra's had a reign of smash hit performances over the last few years, and shows no sign of letting up.
I once asked Miss Patti (in an email) this question: Why is it that gay men who follow musical theatre adore you? Her response: from 8-12-03 "How about you have taste!", Love, Patti
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
if Cheno actually stayed with musical theatre projects in the future, that quintuple threat would definitely be in the discussion right now. MT voice, Opera, Dance-(tap, jazz), POINTE, and a fierce actress to boot... but TV and Movies are calling...
Elaine Stritch has to be on the list simply because she put the "broad" in Broadway.
Her musical credits include:
ShowBoat (revival) Company Sail Away Goldilocks On Your Toes (revival) Pal Joey (revival) Call Me Madam (Merman standby, finally got to peform it on tour) Angel in the Wings
ETA: Also forgot that she was Hattie in the Follies in Concert
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
Had it not been for that tramp Glenn Close and that troll Andrew Lloyd Webber, we would have enjoyed her in Sunset Boulevard.
Amen.
I once asked Miss Patti (in an email) this question: Why is it that gay men who follow musical theatre adore you? Her response: from 8-12-03 "How about you have taste!", Love, Patti
Hahaha.
I also agree that when the five main ladies we've mentioned in this thread are past their primes (which, praying to God, won't be soon) Sutton Foster will take the title.
Right now I think that it is Bernadette Peters. She has been around for sunch a long time (and will be for quite a while hopefully!) and has done nothing but wonderful work to garner her such a huge fan base.
"I chose and my world was shaken. So what? The choice may have been mistaken. The choosing was not."-Sunday in the Park with George
Gothampc: I was glad to see your including 1958's GOLDILOCKS as one of Elaine Stritch's shows. It is one of the best flops ever and is still available on Amazon.com. Stritch is wonderful on the album and has many songs, including the blues # "I Never Know When to Say When". I got to see the show twice when I was a teenager. I loved it, although I don't think Stritch did, according to her AT LIBERTY. Choreographer Agnes deMille said that she could be very difficult at rehearsals.
>"Christine Ebersole has been climbing the ladder for 10 years."<
LOL. I remember seeing Ms. Ebsersole in the chorus of "On the 20th Century" back in 1978 - almost 30 years ago!!!!! That's a pretty high ladder she has been climbing all these years.
"I was glad to see your including 1958's GOLDILOCKS"
I had heard a rumor one time that the writing team won't release this for performance. That's such a shame because even if it is bad, I'd like to see it from someone like Encores.
"Choreographer Agnes deMille said that she could be very difficult at rehearsals."
I worked with Stritch once (and once was enough if you get my drift). She was "difficult" on her good days. But people have said that deMille could be very difficult as well.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
"Christine Ebersole has been climbing the ladder for 10 years."
She was Ado Annie in the 1979 Oklahoma and Guenevere in the 1980 production of Camelot. That was 27, 28 years ago.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.