"The gods who nurse this universe think little of mortals' cares. They sit in crowds on exclusive clouds and laugh at our love affairs. I might have had a real romance if they'd given me a chance. I loved him, but he didn't love me. I wanted him, but he didn't want me. Then the gods had a spree and indulged in another whim. Now he loves me, but I don't love him." - Cole Porter
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
Madonna... On her acting, alone... I don't blame her for the soundtrack because it's overproduced across the board and she clearly was instructed to sing it so that the music would fit the very music video dubbing that was used in the film.
She might have a limited range, but her voice can be powerful.
I think one of the real reasons her Eva works so well, despite her acting, is the addition of the Another Suitcase sequence. We see her venerable... she has no idea that Migaldi is going to drop the bomb of having a wife and kids on her and all of a sudden we get a glimpse of Eva's transformation. We see her make the decision to use men because men have used her. It adds a lot to the character, who in the stage show is an opportunist from the beginning.
"TO LOVE ANOTHER PERSON IS TO SEE THE FACE OF GOD"- LES MISERABLES---
"THERE'S A SPECIAL KIND OF PEOPLE KNOWN AS SHOW PEOPLE... WE'RE BORN EVERY NIGHT AT HALF HOUR CALL!"--- CURTAINS
I saw Terri Klausner and she was quite strong vocally and dance wise BUT it was a very by the book performance. Whereas Patti personalized the role and acted it with quirkiness and a unique edge, Klausner did what was expected....hit the notes, did the steps etc. BUT it was very musical theatre and not really originaly acted.
I've read that Klausner had kind of a bad attitude since she felt overlooked. I don't know why but she thought she'd been hired more as an equal player and could never get past her resentment of Lupone getting all the attention.
Didn't Drein Altay get the replacement gig because she was sleeping with Hal Prince friend.... Paul Gemignani? That family definitly believes in nepotism....see Alexander's career!
My favorite "Evita" is a tie between Paloma San Basilio and Patti Lupone. Both performances have a raw quality, that makes them very interesting. There is something so powerful in both these Evas, that transcends one-dimension. They are both well-crafted performances, rich in specificity, humanity, and clear, larger-than-life points of view. These performances would be very rare today, in this era of political correctness, stylized performances, and so called "realism" over raw human emotion.
Julie Covington. She may not have the best voice, but she sings everything with such emotion, yet manages to be ice cold at the same time. The "white" album also has my favorite version of "Eva Beware of the City."
Never cared for Patti Lupone. She just seems to belt everything, without subtlety, and is often difficult to understand.
You're welcome, My Oh My! I kind of love that Perri looks and sounds like a brash Jean Seberg in that video. Her American accent is so pronounced. 1996 L.A. Times article on Perri
"The gods who nurse this universe think little of mortals' cares. They sit in crowds on exclusive clouds and laugh at our love affairs. I might have had a real romance if they'd given me a chance. I loved him, but he didn't love me. I wanted him, but he didn't want me. Then the gods had a spree and indulged in another whim. Now he loves me, but I don't love him." - Cole Porter