I'd say yes, but as someone who's performed in the show and directed it, I dare say its something that actors like more than general audiences. Plus, even though the musical did it first, in this age of reality-everything, the voting gimmick of DROOD would perhaps seem a little less novely and a little more pandering.
If it were to be revived I think it would make sense for the Roundabout - a limited Broadway engagement.
I'd like to see a more authentically British Puffer than Mary Testa (how about Brenda Blythen, Imelda Staunton or Tracey Ullman?) - but I love the idea of Jim Dale as the Chairman. I think Julia Murney would be a great Drood. I also like the Kritzer/Helena idea.
I have always dreamed for a revival since I never got to see the original. I would prefer the original score, however. I'm not fond of the new material.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
What I love about that video is the plethora of belting altos rarely heard in a Broadway musical, which gives that particular recording such depth and richness not even heard on the cast album.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
There are LOTS of very good, plausible casting ideas here. I like them all!!!
"TO LOVE ANOTHER PERSON IS TO SEE THE FACE OF GOD"- LES MISERABLES---
"THERE'S A SPECIAL KIND OF PEOPLE KNOWN AS SHOW PEOPLE... WE'RE BORN EVERY NIGHT AT HALF HOUR CALL!"--- CURTAINS
did you notice that in that youtube video, Patti Cohenour is singing to the legendary Hume Cronyn?
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
My favorite DROOD story is about Loretta Swit who replaced Cleo Laine as Puffer. Apparently, she wasn't getting voted murderer enough for her tastes and so she started sneaking behind the windows during the dinner table scene (which Puffer is not a part of) and throwing Bela Lugosi stares. She got fined by Equity.
I love this show, as it is one of the first shows I saw in New York.
However, as one of the last Best Musical winners to have absolutely NO spectacle, I'm not sure it would work in today's climate. I just don't know. But the score is rapturous, the script is funny and entertaining, and the tone is decidedly post-modern.
However, as one of the last Best Musical winners to have absolutely NO spectacle, I'm not sure it would work in today's climate.
I read that as THE last Best Musical winner to have absolutely NO spectacle, and I was wondering what the spectacle in Passion was.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
The spectacle in PASSION was Marin Mazie's chest. The spectacle in SPRING AWAKENING was I guess Jonathan Groff's ass. I'm still working on the spectacle for the others, but DROOD was at least as splashy has half a dozen other Best Musical winners since. It did after all have that huge train at the top of ACT 2.
Not to get into how short "Passion"'s run was, but......
It did have that big staircase, which I'm sure was directly copied from the one in "Sunset Boulevard," or vice versa! Well, of course it was plainer.......
touche. Marin Mazzie's chest was a big spectacle, indeed.
I thought the spectacle in Spring Awakening was the use of hand held microphones?
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Don't get me wrong--a good script, score and cast is enough spectacle for me any day. TMOED (to use its full acronym) had those in spades. As did P. (lol)
But producers these days usually feel they have to put in some big sets, or at least shiny lights, in order to convince audiences to shell out 125 bucks a cushion.
SA has the aforementioned attributes, and also has shiny lights. :P
"My favorite DROOD story is about Loretta Swit who replaced Cleo Laine as Puffer. Apparently, she wasn't getting voted murderer enough for her tastes and so she started sneaking behind the windows during the dinner table scene (which Puffer is not a part of) and throwing Bela Lugosi stares. She got fined by Equity. "