I feel that Drowsy should have won because it was the most originale out of the bunch. It was not based on a movie, or a novel, or on a musical group. Yes, it contains a part of a plot that is 1920s, but so what? It worked in the 1920s.
I have found recently that I have been going back to old movies like White Christmas, Court Jester and other 30s and 40s movies because I want a sweet tale and some nice music to listen to. Broadway for me, when I first got really interested, was escaping reality. and if more musicals are going to be based on other material, I don't think it is worth to see it more than once. But with Drowsy, I can and probably will see it many times.
Maybe I really liked it because it reminded me of my first musical that I saw (Crazy For You) and how awesome that was and how I want more of that onstage then some stuff that we have on now.
<--- the set of A Midsummer Night's Dream that I was assistant stage manager for during the 2007 season at the STNJ outdoor stage.
-Dre- You must remember all the same that at the crux of every game is knowing when it's time to leave the table... And it's important to be artful in your exit. No turning back, you must accept the con is done... It was a ball, it was a blast. And it's a shame it couldn't last. But every chapter has to end, you must agree.
~Dirty Rotten Scoundrels~
There's a special kind of people known as show people. We live in a world full of dreams. Sometimes we're not too certain what's false and what's real. But we're seldom in doubt about what we feel.
~Curtains~
It is a far, far better thing I do, than I have ever done; it is a far, far better rest I go to, than I have ever known.
~A Tale of Two Cities ~