Hi P , imho I think it is LMM's true desire to be as expressive and immersed in his work as he can be. I have the very deepest respect and regard for LMM as not only a composer and lyricist, but as a real, I hate the word "visionary", but yes...his knowledge and foresight as a director and/or performer. I don't need to toot his horn, but after seeing him in performance, listening to his interviews on NPR or podcasts, reading articles...this man is probably to Broadway and theatre music as Michael Feinstein is to the Great American Songbook. He so proudly speaks of growing up on OBC recordings and knowing and grabbing any and all information and details from whatever show he speaks of. While many think of him as primarily a director or composer I think his talent goes beyond labels and boundaries. I also think he is totally able to edit himself and if and when he feels his performance has issues, he'll know what he needs to do.
I won't say that seeing ITH or Hamilton, (twice) is a life changing experience but it is surely seeing a genius at work, being able to pull in so many elements, from lyric to dance to lights, choreography, performers, everything into such wondrous cohesiveness,... these are exquisite theater moments you will always remember.
I know, I know...you can tell I like him, but whenever I hear him labeled as "hip-hop" or "rap" it infuriates me because it seems to imply that is all his knowledge consists of. I'd love to meet him and pick his brain; and he would make a super "party guest". He's not a two-trick pony. We're so lucky that with him being young, he will be around Broadway for a long time to come.
I Can Has Cheezburger With This?