I think it would play really well in the red states. My "walked out on Rent" homophobic mother would totally dig it.
His gentle companion: Ha! If they only knew.
-Chess ************************* I've seen plays that were more exciting than this. Honest to God... PLAYS. -Homer at the zoo.
The only reason it really failed on Broadway is NO PROMOTION, Im telling ya if they had the promotion of WICKED or HAIRSPRAY they'd be still on Broadway.
I don't know... It might have been good, and the voices really were incredible... but it didn't really have the creative kitsch hook of, say, Mamma Mia. Will make a ton of money in Ohio.
His gentle companion: Ha! If they only knew.
-Chess ************************* I've seen plays that were more exciting than this. Honest to God... PLAYS. -Homer at the zoo.
Good point. I also think that people are consistently surprised by the quality and fun of the ABBA tunes. Course, I'm a huge Chess fan, so there's that bias!
His gentle companion: Ha! If they only knew.
-Chess ************************* I've seen plays that were more exciting than this. Honest to God... PLAYS. -Homer at the zoo.
I think if promoted online, ASU could have a very successful tour. Even though its not completely true, promote this as the Elvis musical. Make sure that whenever people think All Shook Up, they think Elvis. They didn't do too great a job of this on Broadway (obviously)
I hate the promotion people of ASU. They make me sick. First they take down the huge poster off the marquee right before BROADWAY ON BROADWAY- WHO DOES THAT? I mean this is the time to push you're show thru to the next season all they did was let it hit the ground with a thud. Congrats- you killed a show!
"The only reason it really failed on Broadway is NO PROMOTION"
If you were in line for the tkts booth, you couldn't miss the big-ass billboard of Cheyenne Jackson and the theatre's marquee. And since that's were a LOT of tourists seem to go to get tickets to shows, that should tell you they didn't want to see it. I don't believe the show played well in Chicago either, though Sweet Charity did well (of course, Chicagoans went for Denis O'Hare).
I don't think it did do well in Chicago, but I think there are two reasons for it:
1.) I don't know how it was promoted in New York, but it was definitely not promoted well in Chicago. They advertised it by saying something about the Shakespearean storyline set to Elvis music. Quite honestly, that does not make it sound too appealing. The only reason I went was because my mom had a discount for really good tickets, and I ended up loving it!
2.) I believe that Spamelot was still there at the same time. In a city that is primarily not a theatre city (yes, there are a lot of small theatres, but the people who go to those shows are other actors, and the people who go to the big shows are a lot of tourists and from the suburbs--for the most part, please don't jump on me for this), people can't afford to spend a lot of money on tickets to shows right now (look at the economy). So, they have to chose what they would prefer to see.