It's day has passed. Hip, younger, simpler shows like "Urinetown", "Rent" and "Avenue Q" and revivals seem to be what's working today. First, revivals aren't working; most shutter quickly and lose their investments, which is a wonder as to why there are still so many being produced (but then, Broadway economics never made sense to me).
Second, Urinetown, Rent and Avenue Q are exceptional success stories; there have been many other musicals claiming to be "hip" and "young" that have closed quickly (Taboo comes to mind, although I don't think it was "simple"). I agree that it'd be great to see more of these smaller, edgier shows being produced, but I'd be a bit cautious about claiming that their time has come, because it's still early.
What is "working" these days are the Disney-manufactured shows like Beauty and the Beast, The Lion King, and Aida (which, although closing, has made a healthy profit over the years despite all the initial negative publicity). I'll throw Wicked into this pile as well, since it follows a similar formula that Disney employs: huge, extravagant productions with a pop/rock score and a gimmicky "hook" that appeals to families and tourists. The "juke-box musicals" are also starting to dominate the scene.
Urinetown closed. Urinetown didn't need the close, they chose to because they didn't want to move to another theatre (unless someone can correct me about this - I think Urinetown's financial situation was still pretty good when it closed.)
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
Updated On: 8/7/04 at 12:39 AM