rOcKS @ 'Memphis' — Page 2
Posted: 9/27/09 at 2:18pm
Thoroughly enjoyed it. Best show we have seen in quite awhile.
Updated On: 9/27/09 at 02:18 PM
Posted: 9/27/09 at 3:18pm
Wow. Roxy, I am glad you enjoyed it, and respect all opinions. Just curious--- what did you like about it?
Book, score, sets, etc?
Posted: 9/27/09 at 3:57pm
Posted: 9/27/09 at 5:47pm
Gave it a ten>>
Okay... at least I feel better now that I know you are just joking.
Posted: 9/27/09 at 5:53pm
Posted: 9/27/09 at 8:30pm
Posted: 9/27/09 at 8:54pm
Kindly keep your trap closed if you haven't seen it. As far as the boner remark, it shows what a no class individual you are.
Go back & hide under your rock .
By the way, I could not & would not criticize or extol Carrie as I never saw it. Not seeing a show apparently is no obstacle for you to critique a show.
Updated On: 9/27/09 at 08:54 PM
Posted: 9/27/09 at 9:24pm
And I saw Memphis in 2003. So. There.
Posted: 9/27/09 at 9:42pm
Posted: 9/27/09 at 10:14pm
Updated On: 9/27/09 at 10:14 PM
Posted: 9/27/09 at 10:18pm
I know that Namo can be a pain sometimes...and sometimes his posts are less understandable than Sean Connery speaking Chinese with a heavy, fake southern accent, but 90% of the time he knows what he's talking about. Although he has a strange way of wording his opinions, a lot of them are very intelligent and I have never seen him judge a show he hasn't seen.
Just my .02
-Danmeg's 10 year old son.
Posted: 9/27/09 at 10:29pm
Updated On: 9/27/09 at 10:29 PM
Posted: 9/27/09 at 10:38pm
I finally figured out he is hoping one day to be able to see the one show everybody wishes to have seen so he can get bragging rights. But that show was Carrie and he can't go back in time to see it.
Others have pointed out how funny it is that Roxy spends money to see flops while lamenting people can't afford theater tickets anymore.
That's all.
Posted: 9/27/09 at 10:43pm
Posted: 10/6/09 at 11:31pm
You might wanna count me in too. I give it an 8/10.
Posted: 10/6/09 at 11:42pm
I think what they really need to do is take a hatchet to the show. But I think what might be left might actually be good.
That said, the audience, including some groups I notice, were eating it up. I think it really fits in line in what people think they want to see - bouncy tunes, a love story, some great production values - and skip the fact that it's not a great show. Hell, it worked for some other far more wretched long-running shows (fill in your own blank).
"Hey little girls, look at all the men in shiny shirts and no wives!" - Jackie Hoffman, Xanadu, 19 Feb 2008
Posted: 10/7/09 at 2:41am
I didn't think it was HORRIBLE!!! as I had heard it made out to be. The way I came out of the theater was the same way I came out of Mamma Mia; it was fun and superfluous. I mean, I swore it was a Jukebox Musical but I was corrected soon after. They do beat you over the head with the racism issue. That got tedious 10 minutes into the show. I actually thought Montego Glover was working her butt off in terms of acting/vocals, but Chad Kimball. It's not that he's bad. He's a hard worker, but he's terribly miscast. I don't even know if I would say Chad is leading man material for this piece. Maybe if the material were stronger and tailored to his strengths, but right now we're fighting more for the lead girl when we should be fighting for the lead guy.
I feel like this show had a lot of potential, but needed a better book writer who wrote for the character more so than writing for the cheap joke. Another thing that bothered me was the 11 o'clock number sung by Chad Kimball, "Memphis Lives in Me". If your main character is going to bring down the house with a number, stating that this city he loves and cherishes lives within him (a city we have been shown NOTHING about except that people shoot guns and beat interracial couples...), then the city needs to be a character. The environment and atmosphere must be more, more present. We need to be thrown into what Memphis means way before the 11 o'clock number. i.e. Grey Gardens... if you're an outsider coming into that musical, the sets/Act 1 Big Edie and Act 1 Little Edie all tell you how much this house means to them and how beautiful it is, an oasis right? That's sort of what Memphis needs right now. It's not worthy of having the 11 o'clock number unless you can show it sooner.
That all being said, I will say the performances saved it and I'm glad I stayed for Act II for Cass Morgan. It was a ridiculous number, but she belted IT!
Updated On: 10/7/09 at 02:41 AM
Posted: 10/7/09 at 9:06am
I actually think MEMPHIS would benefit from being a jukebox musical.
'Cause the actual songs from this period are far better than anything they're singing on stage.
Posted: 10/7/09 at 9:28am
Posted: 10/7/09 at 12:31pm
In this economy there is no way this show will last. People are going to use their money to see something that they KNOW is good and that the word of mouth is "oh you have to see it" like how people come out of ROA, not "eh it was fine" like how people come out of shrek.
This show will be dead by jan.
Posted: 10/14/09 at 6:20pm
Posted: 10/14/09 at 10:37pm
Still, I didn't completely hate it.
But the really laugh out loud moment was the super effeminate disc jockey talking about his wife. Was this a joke or just poor casting? People sitting around me didn't know whether to laugh or gasp. I don't know who played that role -- he was in the ensemble dancing in the finale and dude can move despite his size and age.
Posted: 10/15/09 at 12:16pm
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