Profile for bwayphreak234

ColorTheHours048 said: "Anyone calling Bart Sher’s treatment of classic musical theatre “snoozy” is so crazy to me. Camelot aside, his revival resume is pretty exceptional."

Agreed. I have found all of Bart Sher's LCT musical revivals to be absolutely thrilling (I even really liked his Camelot). He knows how to make great use of the Beaumont stage.

I LOVE it - nicely done!

Voter said: "tomorrowBIGLITES said: "Act Two is bad. One of our worst “come back from intermission” musicals"

Act one is bad."

^ Agreed. Act 1 was bad, and then it just went from bad to outright terrible after intermission. The tonal shift between the two acts is incredibly jarring. They completely dial up the camp in act 2 after a dreary and spooky first act. I thought the whole show was a complete mess, but act 1 was slight

I actually really enjoyed QoV. It was far from perfect and flawed, but I can't deny that I enjoyed myself and had a good time both times I saw it (both with Kristin and Sherie). The show definitely worked WAY better with Sherie who captured the bitchiness and played the role with a dead behind the eyes vapidness that Kristin could just not pull off.

I would hardly call winning an award (deservedly so IMO) and extending two weeks past the scheduled closing date "running off into the sunset"...

EDSOSLO858 said: "This obviously isn't something I want to write / talk about"

And yet... you did.

Just got my ticket - can't wait for this.

While not officially announced, it was rumored, and even reported, back in 2013 that Nicole Scherzinger might be stepping into the Pippin revival as a replacement for The Leading Player.

This is one of the more interesting plays I’ve seen in quite some time. For the first twenty minutes or so, I genuinely could not decide whether I was on board with the story, the characters, or even the humor. But once Becky Shaw herself enters in the second scene, you can practically feel the audience lean in as the play suddenly clicks into place.

The show is unapologetically offensive and packed with dark, razor-sharp humor. If that’s your kind of comedy, as it is

Saw this last night, and I adored every second. Daniel Radcliffe's ability to effortlessly exude copious amount of charisma, warmth, and charm simply blew me away. Just a really, really special show. I'm glad I caught this before he leaves.

I snagged a ticket for this for August, and I am so excited. This should be a thrilling show.

Proof yesterday afternoon was orchestra left row J - perfect view. Great play, too!

Titanique this past Thursday night was mezzanine row H dead center.

Grabbed a $94 ticket for the first Saturday matinee. I can’t wait for this!

I went into Death of a Salesman completely blind this afternoon. I had never read the play or seen a production before. Discovering this masterpiece for the first time ended up being one of my personal highlights of this Broadway season.

The performances are absolutely extraordinary. The acting is deeply moving, raw, and devastating. Nathan Lane and Laurie Metcalfe once again prove why they are two of the finest stage actors working today. Christopher Abbott and Ben Ahlers share t

Some recent unpopular opinions of mine from the 2025-2026 season...

- I really enjoyed The Queen of Versailles - flaws and all. I saw it with both Kristin and Sherie. The show worked a lot better with Sherie and her cold, vapid, bitchy, and "dead behind the eyes" approach to Jackie.

- While I appreciate Cats: The Jellicle Ball and respect and admire the approach taken, it was not for me. I found it to be chaotic, and, at the end of the day, it's s

This is probably the most middle-of-the-road production I have seen so far this season. Everything is “fine” and nothing is egregiously bad, but it’s all so… bland? Which is surprising for a show like this. 

The direction is just not exciting at all. It all feels so incredibly safe, and at times even stale, with no bold choices at all.

The cast is decent enough. Luke Evans walks away with the entire show. The design elements a

I caught Schmigadoon! tonight, and I was completely won over. The show is vibrant, colorful, and just pure FUN. I had a smile plastered on my face from beginning to end.

The cast is stacked with Broadway talent. Alex Brightman and Sarah Chase are both terrific, and the entire featured ensemble is firing on all cylinders. Special shoutout to Mackenzie Kurtz, who delivers what may be the funniest performance of the season.

Visually, the production is a treat. The lush, hand-painte

Women on the Verge of a Nervous Breakdown with direction by either Michael Arden or Tina Landau.

seaweedjstubbs said: "Don’t hate me, but…….I might’ve enjoyed it more than THE LOST BOYS."

I 100% agree... I definitely had a better time at Beaches than at The Lost Boys.