Profile for Cheesecake2

Sounds just like how I felt with all the love for Sunset Blvd, which you were panting over.  People love The Queen of Versailles.  Get over it.  It’s running all the way to June so Kristin gets her Tony award.  Caissie  Levy, no chance. 

Who cares.  It’s a stupid fake name of a terrible website. 

The last revival of waiting for godot played in rep with no man’s land 

Joey sims needs to stop reviewing. Not only is he a terrible writer, he has spelled Kristin Chenoweth’s name wrong.  Theatrly’s gotta go

I’ve been listening to the audio that’s on YouTube. They sound excellent!!!  I looked up tickets, and it seems to be selling really well.  Right now, it is touring through September of next year.  They are doing pretty long sit downs in Chicago and LA, it’s not that many tour stops so far, I’m sure they will keep going.  

Enough with the attention seeking lies and histrionics Sutton

Phantom’s officially on tour again !! Who’s seeing it?

Kristin looks gorgeous!!

What happened to Guys and dolls transferring?  Or Oliver? Or fiddler on the roof?

Anyone see this yet? I’m not going for another two weeks 

I tried to keep it more recent.  I also could have said Kathleen Marshall’s Anything goes, Sam Mendes’ Cabaret, Bart Sher’s South Pacific, Randy Skinner’s 42nd Street, Diane Paulus’ Pippin, Jerry Zacks’ Hello Dolly.  What are your example’s of iconic productions?

Would a theater on Broadway rotating beloved productions ever work?  If they did a season of iconic productions like Marianne Elliot’s Company, and then Maria Friedman’s Merrily, Jamie Lloyd’s Sunset Blvd, Michael Arden’s Parade.  What happened to all the scenery and costumes?

None of it.  Go to Paris instead and see Les demoiselles de Rochefort.  Go to all the fabulous cabarets and cafes, see the impressionists at musee d’orsay and enjoy Paris, a far superior city than London.  Also, people don’t fly out of London anymore cause it’s too expensive.  They’re flying out of Charles de Gaulle

Paper lol

Are they looking to come to Broadway ?

The only time I actually liked Stephen daldry’s work was Skylight.  Probably because it was more human, more intimate, more real.  I can’t with these chaotic satirical political plays with everyone on edge like Kyoto and The Jungle.  The only thing I appreciate about them is that they move.  I’d take Liberation or Prayer for the French Republic any day over the horrible British dramas

If Liberation extends, that’s the one you’re gonna want to see

Sadly missed this, does anybody know if this has a future?

Wow okay, well I’m assuming he’s still doing some sort of accent to presumably sound like the guy he’s playing.  It sounded cheesy

The audience is simply too young to care about Prince.  The average age of ticket buyers is around 40.  This musical is a few decades too late