Profile for Flowerlovestage5

I saw this last evening and so glad I did!  I am a big Blithe Spirit enthusiast.  I love Coward's original play and I can see how he directed and took part in this musical adaptation back in the 60's.  The original creative team did what Hello, Dolly! produced (in the same season); they took solid source material and created musical numbers in place of specific dialogue and/or enhanced what Coward wrote.  The musical is campy and fun and very

I was fortunate to see this on Wednesday. I’ve always been a fan of the score, the film (the original Bway Cast) and the OBC Album. That said, what a SUPERB Production. The leads and supporting cast are superb …..

Sergio Trujillo’s directorial vision honors the original (it’s all there) in its 1955 glory. Doug Wright & Will Power have revised certain aspects that flesh out the book within its original blueprint. The cast is superb: 22  talents combined

Yes, I was at the Gypsy table twice - as long as I could take a look. They had the following that I saw and lists of stock they had: 

Mazzepa’s Trumpet 

Tessie’s Ballet Shoes - each signed by all 3 Ladies. 

Two Pairs of Silver heels (Not sure which Characters - they were labeled though). 

Uncle Jocko’s small squeak horns

Chow Mein containers and empty take out containers all used.  Also, two tea kettles from the sam

It was a very mixed-bag for me. Glover left me cold yet (sometimes) slightly engaged. Star quality of her own and a beautiful voice to match.  Returning to a production for a different performers characterization is always fascinating to watch.  Montego was very grounded and made the dialogue her own but there wasn’t much to it. 

Unfortunately, by the end of Act 2 it dawned on me; I would have preferred her to play Louise (in previous years.).  

I caught the show this evening. It’s a two act evening that is exactly what you would expect; a musical revue. The Orchestra is sublime and the set is simple but charming for this type of piece. 
 

Beth Leavels “Ladies Who Lunch” was the standout. I enjoyed the choices she made. Several people stood. 
 

Gavin Lee’s “Could I Leave You?” was most charming and welcomed. 
 

Bonnie Langford&r

I saw the show last Wednesday (my third time) and saw Diego Rodriguez as Joe Gillis. First let me say, I enjoy his energy as Artie very much and feel he is well cast. His work as Gillis is solid. He was obviously well rehearsed, even this early in the run. He played off of Scherzinger very well and had great chemistry with Betty (also an understudy). 

Diego actually struck me as a young Tom Cruise type.  There was a boyish innocence displayed. Not equipped to handle

Lambert is knocking it out of the park and it’s only his first performance. Truly a great actor. He gives us fantastic vocals but doesn’t blow you away for the sake of doing so. Very nuanced, both funny and serious. That man is a great stage talent. 
 

Cravalho knocked it out as well. I much preferred her take on the role prior to seeing it last spring. Just my opinion. I can’t say I agree with all the directorial choices for this production… but

We saw this last evening. Cabaret is one of my favorite shows. From professional productions to community players, I love the story. That said, I did not care for this revival at all. 
 
Possible Spoilers:  Granted it was MY decision to experience the table package and join for the pre-show prior to curtain. Walking down the alleyway, up and down steps to go back to the main lobby, where the “pre-show” waits you.. anticlimactic.  The cast is tale