Profile for Drewski Vanderbilt

The Anatole understudy I saw did not play violin

When I was there, he signed all of his past Cd's that the person next to me had, he was really nice and kind, he also takes photos! So don't worry, he signs everything

Cabaret

What about Alex Bowen? The boy soprano who was the voice on the record in the cabaret revival?

Does anyone have a photo of how high the stage is? I've heard the stage is really high and it's hard to see in the first row.

I will be there in a few weeks, how has he stagedoor lately? I'm wondering who and who doesn't come out.

I have the chance to see one show when I visit New York in the next coming months, these are the two I've gone down too so which one do you think is better. I haven't seen either film so I will be going into either show blind not knowing anything. Any Suggestions?

As I saw this video from the recent revival of Cabaret, I have always wondered how the two ladies stayed in the trunk for the full scene before it. In the video as you see the lady take the trunk away, it almost looks like a trap door is right where the suitcase was, from what I remember from the times I've seen the show at studio 54 there wasn't a trap door onstage but was there a trap door there? Or am I just seeing things.

https://youtu.be/Q1AgaHeuGqk

^the video

Does the loud whistle make an appearance in this production?

Is anyone going to stage door? I know stagedooring is less common for Off-Broadway shows but I was wondering for both Sweeney and Lovett.

China Doll for Al Pacino

Even though it's a concert, Laura Osnes as Polly Baker in Crazy For You

I will be going to the Great Comet soon and I was wondering what the stage door is like and who signs and takes photos?

There is probably already a post on this but I didn't see it.

 

thanks!

I hope a revival is in set after this, I've been saying for a while that Laura Osnes needed to play Polly at somepoint

https://docs.google.com/document/d/1-p37EJkbqvA5vqEuQWv2ovXdOBXm5u8uicGhAalhkjY/mobilebasic?pli=1

 

If I remember correctly didn't one company produce a production of hair base on Iraq instead of Vietnam?

When I was banjo, we didn't really get that either, we played it more of him just making a joke than anything. Now that I've typed my post, I've realized how it doesn't really make any contribution to anything.

Also I think The Great Comet will take home some Tonys, including best Musical, It is a new style of theater that I think not many people have seen before, it's a special treat with an amazing set and lighting design. It will take home best score and orchestrations because the score is a masterpiece. I don't think it will take any best actor noms, If Phillipa was still in the company, she might of had a chance at the Best Actress.