Is there a published version of the Roundabout CABARET revisal that is just the script? I don't want the coffee table book with all the pictures and stuff. Tams-Witmark only has the original and the 1987 revisal.
If it was solely for my enjoyment and if I had the money, I totally would, but it's for the theatre I work for, they just want the script and don't care about the pictures/interviews/whatever else.
And Tams doesn't have the version I'm looking for. We've got all the Tams versions of the script/score.
If the only available script is the big hardbound and that's the version the Powers-That-Be want, guess what? They will have to adapt.
Photocopy and highlight the script you can get.
Show biz is founded on improvisation and if they want a traditional script that doesn't exist, then they need to reach back into their pasts and just shut up and read the freaking script in the way they can get it quickly. Jeez. Do you work for Betty Buckley or Lauren Bacall? This sounds like the kind of thing that either one of them would 'demand'.
If you want to print this out so the Biggies can read what someone who used to be in your shoes had to say, do so. It is sometimes difficult to say this when one is a peon.
"If my life weren't funny, it would just be true. And that would be unacceptable."
--Carrie Fisher
They should have just shelled out the twenty whole dollars for the book. Now you're going to have all the tattletales on this board watching that production of Cabaret at Seattle's Fifth Avenue Theatre very carefully. Updated On: 10/24/07 at 01:40 PM
The rights for the Sam Mendes/Rob Marshall production of Cabaret are held by the Roundabout, not Tams-Witmark. So far, Portland Center Stage in Oregon is the only other company that has produced that version of the show. Chris Coleman, the artistic director of PCS explains it on his blog:
PCS is the first company outside of the Roundabout to have been given rights to this particular version. Not sure why the authors hadn’t allowed other folks to do it, but when we began asking - initial responses from the author’s agent was, “The rights are not available to that version. It’s owned by the Roundabout.”
I had happened to sit on the Theater Communications Board with Todd Haimes, the Artistic Director at the Roundabout, and thought that they probably wouldn’t care if we did it. But I had to get Todd to call the agent of the author (Joe Masteroff) and the agent of the Composers (Kander & Ebb) and say, “We don’t have a problem with PCS producing our version.” Sounds simple enough but it took about four months of consistent nudging to get all parties involved to say yes. Chris Coleman's Blog
After I posted I thought is it because they want to restage the show on Broadway?
But seriously, look on You Tube- every amateur production in the last 5 years looks exactly like the Roundabout version- even high schools.
Speaking of High Schools, I love seeing how much the teacher changes in Welkommen- One poor kid (Who looked mortified even in his t-shirt and suspenders) had to say about his Cabaret Girls "Each and Every one....Unspoiled! You don't believe me? OK!"
I always wonder- Does Sally go to have a hickey removed in the high school version?