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#51

RIP Dearest Glebb

This is such sad news. I always enjoyed Glebb's posts be they about dance or his dogs -- he was always so classy and witty.

RIP indeed.
#52

RIP Dearest Glebb

Sigh RIP Dearest Glebb
Attend the tale of Bovine Boy His party threads we all enjoy But does he have Mad Cow Disease? He doesn't eat beef - but cows skating? - oh please!!! With cocoa!?! And lemonade!?! The heifer-mad poster of Broadway (World)
#53

RIP Dearest Glebb

BALLET WEST MOURNS DEATH OF
BALLET MASTER MARK GOLDWEBER


Esteemed former Joffrey Ballet dancer and revered teacher and coach enjoyed celebrated career


SALT LAKE CITY - December 12, 2011
Mark Goldweber, Ballet Master for Ballet West and Director of Ballet West II, has died, after a courageous battle with cancer. He was 53.

Mark Goldweber was my right hand and one of my dearest friends, said Adam Sklute, Artistic Director of Ballet West. He was a genius in the dance studios and had infinite knowledge about his art form. Mark's passion and enthusiasm for ballet, music, and culture was infectious and inspiring for everyone around him.

Born in Coconut Grove, Florida, Goldweber received his early ballet training under renowned Ballets Russes de Monte Carlo dancer, Thomas Armour. Goldweber went on to train at The Washington School of Ballet under Mary Day as well as The School of American Ballet in New York. He joined The Joffrey Ballet in 1975 as a member of The Joffrey II Dancers and was promoted to the main Joffrey Ballet in 1977 where he made headlines right away, being cast at the age of 19 in the leading role of the "Boy in Blue" in the Joffrey's recreation of Sir Frederick Ashton's Les Patineurs. He later reprised the role for public television's Dance In America series.

In 1988 Goldweber retired from The Joffrey to become founding Ballet Master for Oregon Ballet Theatre with James Canfield as Artistic Director. In 1996 he returned to The Joffrey as Ballet Master and director of the Arpino Apprentices. He served there until 2007 when he moved to Salt Lake City to become Ballet Master for Ballet West and the Director of Ballet West II.

Throughout his performing career, Goldweber danced and created leading roles in countless ballets by some of the world's greatest choreographers. He performed to acclaim internationally and appeared in numerous public television dance specials. In 2003 he played himself in Robert Altman's "The Company."

As a ballet master and teacher, Goldweber was highly respected worldwide for his meticulous attention to details, near photographic memory of steps and styles, and his exacting eye.

"Mark had the highest standards for excellence", said Sklute, "He believed in the best a dancer could be and he would work tirelessly to help that dancer live up to his or her potential. Mark gave so much of himself, and all of us at Ballet West will miss him. He was a shining light in the world of dance."

Goldweber is survived by his father Morton, his brother Adam, and his sister Ruth. A memorial service in Salt Lake City will take place at a later date to be announced.

In lieu of flowers, gifts may be directed to Ballet West II in memory of Mark Goldweber at www.balletwest.org or by calling (801) 869-6919.



"Two drifters off to see the world. There's such a lot of world to see. . ."

Updated On: 12/12/11 at 02:35 PM

#54

RIP Dearest Glebb

it warms my heart to read all these wonderful posts. (this is my first time back to BWW in a long long time.) i never had the pleasure of meeting glebby in person, but his posts and messages here and on FB let me know i was his friend. i'm going to miss him very much.

and the beauty is ... and the beauty is ...

dance on, beautiful man <3
RIP glebby <3
#55

RIP Dearest Glebb

The articles and obituaries are starting to appear online.

His sister tells me there will be a release for New York Times online tomorrow:
"There will be a memorial service on January 14th out in Salt Lake City. I don't know all the details but I know it will be beautiful. Press releases went out to the major newspapers today and you should be able to see it online in the NY Times tomorrow."

Salt Lake City Tribune
"Two drifters off to see the world. There's such a lot of world to see. . ."

Updated On: 12/12/11 at 10:27 PM

#56

RIP Dearest Glebb

As wonderful as these article are, and they *are* wonderful, they still can't possibly capture the magical essence of the man. That was something you truly had to experience for yourself. We should all consider ourselves extremely fortunate to have had that privilege and pleasure. Mark was a blessing to be sure. And I do not say things like this routinely. He was truly one of a kind.
"Be on your guard! Jerks on the loose!"

http://www.roches.com/television/ss83kod.html

**********

"If any relationship involves a flow chart, get out of it...FAST!"

~ Best12Bars
#57

RIP Dearest Glebb

Can a smile say it all?

<
RIP Dearest Glebb

<RIP Dearest Glebb


www.thebreastcancersite.com
A click for life.
mamie4 5/14/03

Updated On: 11/12/12 at 09:13 AM

#58

RIP Dearest Glebb

I think so, Mamie.
"Be on your guard! Jerks on the loose!"

http://www.roches.com/television/ss83kod.html

**********

"If any relationship involves a flow chart, get out of it...FAST!"

~ Best12Bars
#59

RIP Dearest Glebb

Such a beautiful man - both inside and out.

Thank you for posting those articles, Addy.
#61

RIP Dearest Glebb

So very saddened by this. He was someone I could communicate with about dance and dancers. I feel priviliged to have had even my limited on line contact w him.

And if Rudik isn't avail I know Erik Bruhn will be there to show him around.
Rest in Peace- sweet Prince.
#62

RIP Dearest Glebb

What the article Addy posted reminds me of the time Mark came to town with his Arpino Apprentices. He invited me and my kids as his guests. (I'll never forget what he wore: jeans and Grey Gardens t-shirt!)

After the performance, there was a Q & A session with the young dancers, who answered everyone's questions with the poise and vocabulary of professionals doing interviews for the NY Times.

People asked the youngsters about their training, studying, rehearsing, things like that.

But just to lighten things up--and to bust Mark's chops a little--I raised my hand and asked, "Mark is always giving you feedback and criticism. Is there anything you would like to say to Mark about his teaching or choreography or anything else? What do you like or not like about working with Mark?" Being completely taken by surprise, Mark shot me a look that said, "WHAT ARE YOU DOING???????" and "HOLY SH!T!" at the same time. Then he flashed that beautiful, sheepish smile of his and let the chips fall where they may.

Some of the kids were dry and amusing (e.g., "Mark is perfect. What's not to love? I'm getting a good grade for this, right, Mark?"), but most of them said pretty much the same thing: "Mark is a strict teacher who pushes me because he knows I can do better. Even when I feel like giving up, Mark never gives up on me. He's hard on me, but I know he's doing it because he believes in me."

It struck me how every single kid had a comment. And how much respect and affection they shared for Mark.

Afterwards, I said to Mark, "I hope you didn't mind my question. I just thought it would be fun to get their feedback since they're always getting yours." He replied, "Actually, it was great to hear what they think. I didn't know how they felt, but now that I know, I'm going to try to be a little gentler. Kids need that." I got the sense that he was really talking about his own training as a young apprentice.

Outside the studio, you couldn't find a gentler person, that's for sure.
"Be on your guard! Jerks on the loose!"

http://www.roches.com/television/ss83kod.html

**********

"If any relationship involves a flow chart, get out of it...FAST!"

~ Best12Bars
#63

RIP Dearest Glebb

thanks for posting that lovely memory, miss p <3
RIP glebby <3
#68

RIP Dearest Glebb

He shines with innocence and talent, and the audience eats him up.
In a way, that could be said about his life in general.

*sigh* That NYTimes piece makes it so...final.
#69

RIP Dearest Glebb

Yes, but it's a sizable and dignified and appreciative obituary, in the the New York Times, by a dance journalist who saw everything he ever did for the Joffrey. It's as it should be.

It also includes a much higher resolution copy of the photo we all got to know and love here as his avatar for many years. The photo is so much larger that you can even see the perfect positioning of his hands and feet, the muscles in his arms and legs, his hair flying back and the boyish expression of pure joy on his beautiful face:

RIP Dearest Glebb
#70

RIP Dearest Glebb

"*sigh* That NYTimes piece makes it so...final."

and is making me terribly sad. That photo has always exuded joy for me, though I wish they had printed it in the vertical position.
Hey Dottie! Did your colleagues enjoy the cake even though your cat decided to sit on it? ~GuyfromGermany
#71

RIP Dearest Glebb

This man had serious skills, though I admit I never met the man.

May he be dancing with joy and spirit forever now that he has crossed over. RIP.
#72

RIP Dearest Glebb

Vertical, the way we're used to seeing it, but less detail:

RIP Dearest Glebb
#73

RIP Dearest Glebb

^Thank you!
Hey Dottie! Did your colleagues enjoy the cake even though your cat decided to sit on it? ~GuyfromGermany
#74

RIP Dearest Glebb

RIP Mr. Goldweber
#FactsMatter...your feelings not so much.
#75

RIP Dearest Glebb

PJ, thank you, thank you <3
RIP glebby <3

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