Movies I’ve seen for free via paid subscription service
(Rather than attempt a predicted winner, I’ve added a set of asterisks after the titles I enjoyed most. The number of asterisks indicate how many times I’ve viewed the films.)
• Bugonia (HBO Max)
• One Battle After Another (HBO Max) ***
• Frankenstein (Netflix)
• Sinners (HBO Max) **
• Elio (Disney+/hulu)
• KPop Demon Hunters (Netflix) **
• Train Dreams (Netflix)
• The Alabama Solution (HBO Max)
• The Perfect Neighbor (Netflix) ***
• All the Empty Rooms (Netflix)
• Armed Only with a Camera: The Life and Death of Brent Renaud (HBO Max) **
Special note and WARNING re: “Armed Only With a Camera…”: The word, “unflinching” is sometimes used to describe movies like this one. This doc does not shy away from showing brutal depictions of death and tragedy. If you know yourself to be sensitive to such depictions, DO NOT WATCH ALONE, AND BE PREPARED TO WALK AWAY FROM YOUR SCREEN.
Nominations Announced Today:
Best Picture
• Bugonia
• F1
• Frankenstein
• Hamnet
• Marty Supreme
• One Battle After Another
• The Secret Agent
• Sentimental Value
• Sinners
• Train Dreams
Best Director
• Chloé Zhao, Hamnet
• Josh Safdie, Marty Supreme
• Paul Thomas Anderson, One Battle After Another
• Joachim Trier, Sentimental Value
• Ryan Coogler, Sinners
Best Actor
• Timothée Chalamet, Marty Supreme
• Leonardo DiCaprio, One Battle After Another
• Ethan Hawke, Blue Moon
• Michael B. Jordan, Sinners
• Wagner Moura, The Secret Agent
Best Actress
• Jessie Buckley, Hamnet
• Rose Byrne, If I Had Legs I'd Kick You
• Kate Hudson, Song Sung Blue
• Renate Reinsve, Sentimental Value
• Emma Stone, Bugonia
Best Supporting Actor
• Benicio Del Toro, One Battle After Another
• Jacob Elordi, Frankenstein
• Delroy Lindo, Sinners
• Sean Penn, One Battle After Another
• Stellan Skarsgård, Sentimental Value
Best Supporting Actress
• Elle Fanning, Sentimental Value
• Inga Ibsdotter Lilleaas, Sentimental Value
• Amy Madigan, Weapons
• Wunmi Mosaku, Sinners
• Teyana Taylor, One Battle After Another
Best International Feature
• The Secret Agent
• It Was Just an Accident
• Sentimental Value
• Sirât
• The Voice of Hind Rajab
Best Animated Feature
• Arco
• Elio
• KPop Demon Hunters
• Little Amélie or the Character of Rain
• Zootopia 2
Best Documentary Feature
• The Alabama Solution
• Come See Me in the Good Light
• Cutting Through Rocks
• Mr Nobody Against Putin
• The Perfect Neighbor
Best Original Screenplay
• Blue Moon
• It Was Just an Accident
• Marty Supreme
• Sentimental Value
• Sinners
Best Adapted Screenplay
• Bugonia
• Frankenstein
• Hamnet
• One Battle After Another
• Train Dreams
Best Casting
• Hamnet
• Marty Supreme
• One Battle After Another
• The Secret Agent
• Sinners
Best Film Editing
• F1
• Marty Supreme
• One Battle After Another
• Sentimental Value
• Sinners
Best Cinematography
• Frankenstein
• Marty Supreme
• One Battle After Another
• Sinners
• Train Dreams
Best Production Design
• Frankenstein
• Hamnet
• Marty Supreme
• One Battle After Another
• Sinners
Best Costume Design
• Avatar: Fire and Ash
• Frankenstein
• Hamnet
• Marty Supreme
• Sinners
Best Makeup and Hairstyling
• Frankenstein
• Kokuho
• Sinners
• The Smashing Machine
• The Ugly Stepsister
Best Original Song
• "Dear Me," Diane Warren: Relentless
• "Golden," KPop Demon Hunters
• "I Lied to You," Sinners
• "Sweet Dreams of Joy," Viva Verdi!
• "Train Dreams," Train Dreams
Best Original Score
• Bugonia
• Frankenstein
• Hamnet
• One Battle After Another
• Sinners
Best Sound
• F1
• Frankenstein
• One Battle After Another
• Sinners
• Sirât
Best Visual Effects
• Avatar: Fire and Ash
• F1
• Jurassic World: Rebirth
• The Lost Bus
• Sinners
Best Live-Action Short
• Butcher's Stain
• A Friend of Dorothy
• Jane Austen's Period Drama
• The Singers
• Two People Exchanging Saliva
Best Animated Short
• Butterfly
• Forevergreen
• The Girl Who Cried Pearls
• Retirement Plan
• The Three Sisters
Best Documentary Short
• All the Empty Rooms
• Armed Only with a Camera: The Life and Death of Brent Renaud
• Children No More: "Were and Are Gone"
• The Devil Is Busy
• Perfectly a Strangeness
Broadway Legend Joined: 7/12/22
Only "Best Picture" I saw was "Marty Supreme" and really liked it. Timothee Chamalet was excellent again, saw him in the "Bob Dylan" movie. I also saw "Song Sing Blue" and glad Kate Hudson got a nomination.
I watched, "Weapons" last night (HBO Max). I'm not a fan of jump-scares (they're always too effective on me), but they're used and spaced well in this movie.
I'd seen online pics of the hair and make-up for Madigan's Aunt Gladys character, but not much more beyond the basic plot description of the missing children. I also remember that around Halloween of last year, there was a "thing" of people running with their arms extended back in the position of the characters from the movie.
I was curious to see the ratio between acting : make-up of Madigan's Aunt Gladys, because when the make-up is that “forward”, I expect that it’s also providing at least a portion of a noticeable performance on its own. (If one was used, I would love to have seen the make-up morgue of inspiration photos for that design.)
It definitely stood out, but it never overshadowed or overtook Madigan's performance. Wow. She was brilliant as Aunt Gladys.
I'm going to watch this again today.
I saw "Blue Moon" (Amazon, $5.99 rental) this weekend. I agree w/some critics who found the beginning of the movie to be a bit sleepy. There are a LOT of monologues by Hawke that are interesting, but static.
The movie really picks up when Andrew Scott comes in. Although I find his performance to be multi-layered, his characterization of Rodgers is basically the complete opposite of Hawke's Hart. I wish he'd been nominated for Supporting Actor.
For me, I was most moved by the scenes in the third section of the movie between Hawke and Margaret Qualley as Elizabeth Weiland. I thought the writing/acting was so emotionally strong in those scenes.
Saw "If I Had Legs, I'd Kick You" last night ('free' w/HBO Max subscription).
Rose Byrne gives an incredible performance as a mom who's at the end of her rope. Her performance is so strong that it's hard not be as stressed out as she, out of empathy for what her character's going through. I honestly am in awe thinking about what she, as an actress, must have gone through - balancing what to let go of at the end of a day's shoot, and what to retain in preparation for the next day.
Without giving away any spoiler, Byrne completely wrecked me in a scene with her therapist (played by Conan O'Brien - such an interesting, and smart casting choice!) re: her first pregnancy.
I read an article from Decider that begins, "I’ll get right to the point: Rose Byrne deserves to win Best Actress at the 2026 Oscars.
Yes, it seems like Jessie Buckley is a lock for Hamnet—after winning the Golden Globe earlier this month—and yes, Buckley gave a devastating performance as a grieving mother in that Shakespeare-inspired period drama. But it ain’t over yet, folks."
I haven't seen "Hamnet" yet, but I'm sure that Jessie Buckley is also deserving of the Best Actress award. Still, from what I know of the plot of "Hamnet", and what I saw in "If IHad Legs...", I'm curious if the demands of Byrne's role were the greater challenge for an actress and could give Byrne an edge over Buckley.
I will try to watch "Frankenstein, "Bugonia", "Sinners" and "Train Dreams" as they are on services I have. Would like to see "Hamnet" but the rental price is more than what I would pay to see it in a theater. May rent "One Battle After Another". Only $6.99 to rent.
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