The Sopranos Finale ***potential for spoilers*** — Page 2

So...what we were feeling for those few minutes is how he will probably feel his whole life?

and was the FBI guy rooting for Tony to "win."

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Updated On: 6/10/07 at 10:49 PM

I felt sick and uneasy the entire hour, and the last two or three minutes were almost unbearable. When the guy walked back into the restroom, I kept thinking of the gun taped to the toilet in The Godfather.

I can't say I was crazy about the episode, but Chase will sure have everyone talking.

So how much longer until someone accuses the finale of being homophobic?

One of Sandra Bernhard's touring shows ended with a terrific rendition of "Don't Stop Believin'."

The final scene didn't happen in real time, there were gaps, which explains how Tony appeared to "see himself" sitting at the table in the restaurant. Although it DID look as if his shirt changed, so maybe I just don't know.

Though it is implied that it's Meadow who is coming thru the door behind Tony when the little bell rings, maybe it wasn't. And that was Tony's last conscious moment.

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I'm very disappointed. There was no closure. I seemed as though the show was just pieced together. How can there be a possibility of a movie when all the good characters are dead or senile or too old to do the job?
Even if Tony woke up and he was really the electronics salesman who he embodied in his thoughts when he was shot, would have worked for me.

I've been a Sopranos fan for years, but nothing prepared me for the utter pretension of this episode. Let's just start with the song choices..soooo obviously placed and chosen, including the final one..and Tony flipping through the song choices...I could go " on and on and on and on"....oh wait....And then there's

Updated On: 6/11/07 at 12:06 AM

I agree, Peter. I believe you hit the nail on the head; Pretentious with a capital P; a completely disjointed and ultimately unsatisfying waste of time. The fans disserved better.

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Updated On: 6/11/07 at 12:16 AM

I don't get it. Do we assume they're all safe? Or are we suppose to assume something bad happened?

"Do we assume they're all safe? Or are we suppose to assume something bad happened?"

Or, perhaps you can't assume anything - kind of like real life.

I feel sorry for those who approached this series like regular television, waiting for an answer to be dolled out to them in due course.

Got up extra early this morning to watch it.

Truly, it was a stupid way to end.

But consider: how many times have we stuck it out with a series, only to see a "series finale" that looked half-baked? Yeah, some great ideas in those final scenes, but nothing really thought through, save in "oooo, how symbolic!" kinds of ways.

Chase knows better than this.

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Now that I've mulled it over for a few hours, there ARE answers to be found, or at least inferred. Here's my take: A.J., who ever so briefly, showed some spunk and morosely felt the pain of the world at large and was going to try to make a difference, reverted to the easy way of letting dirty money hand him opportunities he neither worked for or will be able to handle. Meadow, trading in medicine for law because she's seen first-handed how unfairly Italian-Americans are treated (when her father was taken off to jail in handcuffs, will marry deeper into "the family"; her fiance is already the designated lawyer on defending someone on corruption charges and his firm is already offering her a job when she hasn't even gone to law school yet...like the name Soprano isn't the reason? She'll end up being a lawyer, but seems headed for a practice that is diametrically opposed to what she envisioned doing (ie saving the world). Carmella...well, she'll be Carmella, and spin whatever happens into a version she can swallow. Paulie, most of his gang now gone, will be a sinking ship in the night, alienating all who will listen by telling stories of his glory days inbetween increasingly uncontrollable bouts of anger. He'll be absorbed into whatever group takes over, but won't have the status or respect he enjoyed in Tony's group, because let's face it, he's really annoying and just not all that smart. Janice will find someone else to feed off of and her child, who I would have sworn was destined to drown in Tony's pool, will be throughly f*cked up. And Dr. Melfi...eh, how unprofessional she turned out to be in the end, and I'm sure it will throw her into years of agonizing self-doubt and second guessing. And whether that was or wasn't Tony's last moment of consciousness, he was destined to try and hang on to "what he had", but with prescious little left to work with. Didn't the show begin, in season one, with him telling Melfi that he felt like the good days were all behind?

Underlying moral: the glamorous life wasn't so much...

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iflit, that is exactly how I felt. I thought the door in the café scene was a brilliant way of showing that Tony will never feel safe. Every time the bell rang I became more nervous for him. Would it be someone he loved or someone who would kill him? And that is how he lives the rest of his life. The AJ arc was such a perfect way to bring it back. I did think that he and his friend were going to kill themselves in his car when the smoke started coming in, but his awe and excitement for seeing the car blown up and the offer to help produce a movie were the perfect way for AJ to snap out of his depression and realize what a "cool" life he could have.

I have to admit I expected a few more big "endings", but on reflection it was simple yet so brilliant.

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The big question is if you didn't have a friggen clue, was it a waste of your hour BECAUSE you didn't have a friggen clue or because you wanted everything explained simply and to be taken by the hand to some sort of firm conclusion?

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