#1
Posted: 1/31/13 at 7:46am
Great article.
Lots of details as to how things went so awry in season 1.
Apparently season 2 is much stronger:
If you were a Smash viewer, how you'll feel about the rebooted show depends on why you liked it in the first place. If you enjoyed its forehead-slapping journeys into John Waters–adjacent territory, you will probably be sad. NBC sent out the first three hours (the two-hour Monday premiere and the Feb. 12 episode) of Season 2, and Smash has stabilized. Safran, the new showrunner, and an almost all-new writing staff, have ditched the problematic characters (Leo and Ellis aren't alone in the trash heap; Dev is also gone; and Julia's husband, Frank, isn't around long either), and there are new ones (played by musical theater performers Jeremy Jordan and Andy Mientus) who aren't silly. A second musical is added to the plot — one that brings the original music and pop culture references out of Marilyn Monroe's 1950s America to, if not today's Book of Mormon world, at least to Jonathan Larson's Rent era.
How Smash became TV's biggest train wreck
Lots of details as to how things went so awry in season 1.
Apparently season 2 is much stronger:
If you were a Smash viewer, how you'll feel about the rebooted show depends on why you liked it in the first place. If you enjoyed its forehead-slapping journeys into John Waters–adjacent territory, you will probably be sad. NBC sent out the first three hours (the two-hour Monday premiere and the Feb. 12 episode) of Season 2, and Smash has stabilized. Safran, the new showrunner, and an almost all-new writing staff, have ditched the problematic characters (Leo and Ellis aren't alone in the trash heap; Dev is also gone; and Julia's husband, Frank, isn't around long either), and there are new ones (played by musical theater performers Jeremy Jordan and Andy Mientus) who aren't silly. A second musical is added to the plot — one that brings the original music and pop culture references out of Marilyn Monroe's 1950s America to, if not today's Book of Mormon world, at least to Jonathan Larson's Rent era.
How Smash became TV's biggest train wreck
....but the world goes 'round