I was thinking while rewinding and watching and re watching the clip last night, how generous it was. To give us nearly all of the musical number - is pretty amazing. Especially when the movie is still in post production.
I like that my mind could not have predicted what the outcome would look or sound like. I had my own take on it as a lot of people do- and this is far from it.
It has such an old-Hollywood-MGM-musical feel. It seems true to 60's cinema.
The movie benefits from real location work in this number specifically and I think this is where the movie sets itself apart from the MGM feel- in that the streets are not pristine and the lighting is fairly realistic without being overly glamorous/worked. So it has that grit, but with the dancing posters and burst of fireworks- it walks this strange line... Similar to Oz's Little Shop of Horrors - but without the intentional sound stage-atmos.
I know the music isn't complete- but there are some great things going on... there is this underlying melody playing (and I wish I knew music terms, so I can explain myself) but it begins "so let go go go of the past now..." and it sounds like a violin- but I'm not sure. It's quite beautiful. It's playing the W260's intro- but with slightly more grace.
I am as excited as ever to see the finished product.
"Zac is sweet as can be. He's very much just a sweet kid from California who happens to have a face that looks like it was drawn by Michelangelo, (if Michelangelo did anime)."
-Adam Shankman.
"I haven't left this building since Windows 3.1!"
"Celebrating a birthday this week: Rene Descartes is 412! Do you know who he is? Then why are you watching this show? You could probably get into college and even get one of those job things. As for the rest of us; Amanda Bynes is 22! Yay!"
-E!'s "The Soup"