"The Pulitzer Prize community usually goes with something way less obvious, while the frontrunners usually get nominated."
Define "usually". More often than not, an obvious choice wins. This is particularly true with plays and musicals that transcend popularity and relevance within the theater community and experience a moment of cultural relevance -- and Hamilton is certainly in that category. Think of August: Osage County, Doubt, Rent, Proof, Angels in America, etc., in this category.
Honestly, since 2000, I would argue there have only been two total surprise, out of left field winners: Anna in the Tropics and Water by the Spoonful, both of which won before they'd received a New York production.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Updated On: 7/30/15 at 10:58 AM