#76
Posted: 6/4/17 at 8:27pm
And Cynthia Nixon takes Featured Actress in a Play.
2017 Drama Desk Nominations & Awards — Page 4
#77
Posted: 6/4/17 at 8:32pm
Urie is such a self-important host. Get to the awards, dude.
#78
Posted: 6/4/17 at 8:36pm
Yeah, pretty sure they just took jokes that people have already tweeted and strung them together.
#79
Posted: 6/4/17 at 8:37pm
Costume Design of a Play: Jane Greenwood, The Little Foxes
#80
Posted: 6/4/17 at 8:39pm
Costume Design of a Musical: Catherine Zuber, War Paint
#81
Posted: 6/4/17 at 8:41pm
Wig and Hair: David Brian Brown, War Paint
#82
Posted: 6/4/17 at 8:44pm
I hope WAR PAINT repeats that Costume win at the Tonys.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
#83
Posted: 6/4/17 at 8:44pm
BroadwayConcierge said: "Urie is such a self-important host. Get to the awards, dude."
What a dumb comment. He's doing what all hosts do (and doing a pretty damn good job doing it). This thing is running pretty tight so far compared to most award shows.
#84
Posted: 6/4/17 at 8:46pm
IdinaBellFoster said: "I hope WAR PAINT repeats that Costume win at the Tonys. "
Me too!
#85
Posted: 6/4/17 at 8:48pm
Glad that it's running tight (and I'm a Urie fan, don't get me wrong), but the Russia monologue kept going on and on and on. And it wasn't witty or creative or new.
#86
Posted: 6/4/17 at 8:49pm
So great for Jane Greenwood! "I don't win awards" lol. Looks like this is her first win after 7 nominations. And that's nothing compared to her 22 Tony nominations with no wins so far (though she does have a lifetime achievement award). Keeping my fingers crossed she wins at the Tonys this year. Not just so that she finally gets a win, but also because the costume design in The Little Foxes is extraordinary.
#87
Posted: 6/4/17 at 8:49pm
Sound Design of a Play: Gareth Fry and Pete Malkin, The Encounter
#88
Posted: 6/4/17 at 8:49pm
BroadwayConcierge said: "Glad that it's running tight (and I'm a Urie fan, don't get me wrong), but the Russia monologue kept going on and on and on. And it wasn't witty or creative or new."
And that's different from every other award show monologue... how?
#89
Posted: 6/4/17 at 8:50pm
Thrilled for Greenwood too! What an unbelievable career she's had (and her Foxes work is truly stunning).
#90
Posted: 6/4/17 at 8:52pm
Sound Design of a Musical: Nick Pope, Natasha, Pierre & The Great Comet of 1812
#91
Posted: 6/4/17 at 8:52pm
Wait, "946" was considered a musical?? Who let that one slide? I saw it in London and I'd definitely categorize it was a play with music.
#92
Posted: 6/4/17 at 8:54pm
I'm sure that this has been discussed, but how is Great Comet eligible this year? Was the Ars Nova production ignored by the Drama Desks the year it premiered?
#93
Posted: 6/4/17 at 8:59pm
Lighting Design of a Play: Christopher Akerlind, Indecent
#94
Posted: 6/4/17 at 9:00pm
Lighting Design of a Musical: Bradley King, Natasha, Pierre & The Great Comet of 1812
#95
Posted: 6/4/17 at 9:02pm
That crowd laughing must be drinking.
HUSSY POWER!
------ HUSSY POWER!
#96
Posted: 6/4/17 at 9:02pm
I am quite literally becoming whatever the opposite of a fan is for Michael Urie. Yikes. Talk about bad jokes and full of himself.
#97
Posted: 6/4/17 at 9:03pm
Set Design of a Play: Nigel Hook, The Play That Goes Wrong
(WOOHOO!)
#98
Posted: 6/4/17 at 9:04pm
Set Design of a Musical: Mimi Lien, Natasha, Pierre & The Great Comet of 1812
#99
Posted: 6/4/17 at 9:06pm
Projection Design: Aaron Rhyne, Anastasia
#100
Posted: 6/4/17 at 9:09pm
Yay! Anastasia's hideous, nauseating, and completely tasteless video design was just given an award, likely encouraging more productions to follow in their horrendously misguided footsteps!
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