3 days until the last Tony Administration Meeting

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3 days until the last Tony Administration Meeting

Posted: 4/27/10 at 3:49pm

I know they will decide whether American Idiot will be eligible for BEST SCORE or not, but what else will they be deciding? Does anyone know?

Stephen: "Could you grab me a coffee?" Me: "Would you like that with all the colors of the wind?"

3 days until the last Tony Administration Meeting

Posted: 4/27/10 at 3:53pm

They'll also be deciding category placement (featured or lead) for some/all of the following:

John Gallagher, Jr. in American Idiot
Linda Lavin & Sarah Paulson in Collected Stories
Norbert Leo Butz in Enron
Viola Davis in Fences
Anthony LaPaglia & Tony Shalhoub in Lend Me a Tenor
Eddie Radmayne in Red
Barbara Cook, Vanessa Williams & Tom Wopat in Sondheim on Sondheim

Updated On: 4/27/10 at 03:53 PM

3 days until the last Tony Administration Meeting

Posted: 4/27/10 at 3:55pm

They will also be deciding whether to let Carol Channing appear with a rapper again or not.

If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.

3 days until the last Tony Administration Meeting

Posted: 4/27/10 at 4:00pm

That assumes that 'American Idiot' will be submitting for 'Best Original Score Written for the Theatre.'

I'm guessing a couple of actors could be bumped up or down due to billing, most notably Viola Davis in 'Fences.' She's below the title, but with the love letters, er, rave reviews she got today, it might be wise for her to go for Leading Actress. (Also, it's not the most competitive category; many of the contenders probably will be from shows that have closed.)

Mary Alice, who originated the role in the 1987 production of 'Fences,' won for Featured Actress in a Play. If Davis goes for Leading Actress, that might improve Jan Maxwell or Scarlett Johansson's chances for Featured Actress this season.

To add to TheatreGuy: I fully expect them to bump John Gallagher up to Leading Actor for 'American Idiot,' and similarly, Norbert Leo Butz for Leading Actor in 'Enron.' Trickier is 'Lend Me a Tenor.' Should Tony Shalhoub and Anthony LaPaglia, both above the title, go for Featured Actor instead? Should Vanessa Williams be bumped down to Featured Actress, so she doesn't compete against Barbara Cook for a Leading slot?

Can't wait to see how all of these play out ... the drama!

Updated On: 4/27/10 at 04:00 PM

3 days until the last Tony Administration Meeting

Posted: 4/27/10 at 4:06pm

what about Come Fly Away? is everyone in that show Leading or Featured or a mix? i think its being considered for best book too.

3 days until the last Tony Administration Meeting

Posted: 4/27/10 at 4:07pm

What day are the noms announced? (I poked around and couldn't find it; even the Tony site just says "in May.")

3 days until the last Tony Administration Meeting

Posted: 4/27/10 at 4:10pm

Lea Michele and Jeff Daniels will make the Tony announcements on Tues., May 4, at 8:30 a.m. at the Library for Performing Arts.

3 days until the last Tony Administration Meeting

Posted: 4/27/10 at 4:13pm

Why do they always do the nominations so early in the morning? Theater people don't get out of bed until noon.

If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.

3 days until the last Tony Administration Meeting

Posted: 4/27/10 at 4:17pm

Because they get some coverage on CBS' morning show ...

#10

3 days until the last Tony Administration Meeting

Posted: 4/27/10 at 5:15pm

I'm expecting:

-American Idiot will be allowed to submit for Best Original Score (which is totally wrong IMO, but that's what I think will happen)
-John Gallagher Jr, Linda Lavin, and Norbert will get bumped up
-Anthony LaPaglia and Eddie Redmayne will move to Featured (I think Tony Shalhoub will stay in Leading with Justin Bartha)
-Viola Davis will stay in Featured
-everyone else is staying put

"What was the name of that cheese that I like?" "you can't run away forever...but there's nothing wrong with getting a good head start" "well I hope and I pray, that maybe someday, you'll walk in the room with my heart"

#11

3 days until the last Tony Administration Meeting

Posted: 4/27/10 at 9:37pm

I'll be interested to see what happens with Sarah Paulson. I can't see her winning in either category but I think she has a much better chance being nominated as a lead, if only because there's so little competition there this year. Plus, her role is the same size as Linda Lavin's.

#12

3 days until the last Tony Administration Meeting

Posted: 4/27/10 at 10:41pm

I imagine Sarah Paulson will be in Featured. To me, Linda Lavin is clearly Leading because she has the mentor role and, let's face it, she's better-known. The same thing will probably happen with Alfred Molina and Eddie Redmayne in 'Red.' As the older mentor and better-known actor, Molina will be considered Leading, and the younger, lesser-known Redmayne is Featured (and he won the Olivier for Best Actor in a Supporting Role).

#13

3 days until the last Tony Administration Meeting

Posted: 4/28/10 at 4:42am

I really love American Idiot, but I just don't see them putting it through for original score. However, they might do it just to spite Memphis and Addams Family.

"Anybody that goes to the theater, I think we’re all misfits, so we ended up on stage or in the audience.” --- Patti LuPone.

#14

3 days until the last Tony Administration Meeting

Posted: 4/28/10 at 10:33am

I'm not sure why you would think the Tonys would do anything to spite either 'Memphis' and 'Addams Family,' which both have played by the rules: supplied a new score written for theater.

Either the Tonys will decide the music to 'American Idiot' doesn't meet the criteria of their rules or, for whatever reason, will determine that it somehow does. And again that assumes that 'American Idiot' is making the submission.

#15

3 days until the last Tony Administration Meeting

Posted: 4/28/10 at 11:18am

I think what clumsydude meant by "spite" was that the committee might allow Idiot to be nominated for score in order to send a message that they were not happy that the only two original scores this season were such mediocrities, rather than really the best that the theatre world could offer.

I would be disappointed if the committee nominates Idiot for score - it would open the door for jukebox musicals to campaign to be nominated in the future. The category really should be for theatrical scores, written first and foremost for the theatre (in my opinion). Pop albums already have their own Grammy award. Granted, the Grammy's have some sort of theatre/movie category, but no one cares about it.

#16

3 days until the last Tony Administration Meeting

Posted: 4/28/10 at 6:29pm

I think what clumsydude meant by "spite" was that the committee might allow Idiot to be nominated for score in order to send a message that they were not happy that the only two original scores this season were such mediocrities, rather than really the best that the theatre world could offer.

That's exactly what I meant by being "spited" by the Tony committee.

I feel like they would do it just to show how unhappy they are with the two current offerings. However, I don't think they will allow American Idiot to be nominated, so I don't think it will really happen.

But, this is the Tonys. Anything can happen.

"Anybody that goes to the theater, I think we’re all misfits, so we ended up on stage or in the audience.” --- Patti LuPone.

Updated On: 4/28/10 at 06:29 PM

#17

3 days until the last Tony Administration Meeting

Posted: 4/28/10 at 6:49pm

But you're assuming that the Tony nominators are 'unhappy.' Who's to say that either score doesn't have its share of champions on the committee? Needless to say, if they kill the Best Score category this season, clearly they're 'unhappy,' but since that's only happened once in 63 years, it's not something they do lightly.

Cara Joy David, a theater journalist writing for the Huffington Post, thinks there will be a category, and it'll include 'Addams Family,' 'Memphis,' 'Fences' and possibly 'Enron.'

But to repeat what you said: Anything can happen.

Huffington Post: It's beginning to look like Tony time

Updated On: 4/28/10 at 06:49 PM

#18

3 days until the last Tony Administration Meeting

Posted: 4/28/10 at 11:45pm

Given that some feel that there aren't enough musicals with original scores coming to Broadway, I can't imagine the Tonys folk shutting down the category. There were plenty of plays with original scores this year, so they can have 3 or 4 nominees to round out the category.

#19

3 days until the last Tony Administration Meeting

Posted: 4/29/10 at 10:16am

If THE WHO'S TOMMY can be nominated and go on to win (or at least tie) I don't see why AMERICAN IDIOT shouldn't be eligible. Both were concept rock albums that became Broadway musicals. I wouldn't have even thought it would be a question due to precedence.

<-- Tevye, FIDDLER ON THE ROOF, March 2018

#20

3 days until the last Tony Administration Meeting

Posted: 4/29/10 at 10:24am

The changed the rule after TOMMY won. The score has to be at least 50% new, original music.

I don't understand why people keep insisting that American Idiot will be eligible. It won't be.

"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards

#21

3 days until the last Tony Administration Meeting

Posted: 4/29/10 at 10:27am

Because NOTHING the Tonys do is consistent.

#22

3 days until the last Tony Administration Meeting

Posted: 4/29/10 at 10:53am

I don't care what they do in this dry year, but I do think that nominating incidental music as a score is scraping the bottom of the barrel: 1) No one goes to a play to listen to the incidental music, and 2) Incidental music rarely gets a recording, so only those who saw the play will ever hear it.

I felt that the Twelfth Night nomination was silly. I haven't seen Enron yet, and hear that it uses more than just incidental stuff. But will it be recorded?

I just seems to me that the best score should be a) something as important as the text of the piece, and b) something that can be heard by audiences not in New York who don't get to see the piece live.

#23

3 days until the last Tony Administration Meeting

Posted: 4/29/10 at 11:17am

I just seems to me that the best score should be a) something as important as the text of the piece, and b) something that can be heard by audiences not in New York who don't get to see the piece live.

Funny, I always thought Best Score should be the Best Score, regardless whether it was written for a musical or a play or whomever the audience may be. Funny how Best Musical, Best Play and Best Revival nominees are not always shows that tour (especially in the case of plays), so I don't know why there should be an even tighter stipulation on scores. Why not honor the individual who actually wrote the best original music for a Broadway production that season? Unless the Tonys create two categories for Best Score (Play and Musical), then all original scores should be considered. Otherwise, they need to retitle the award.

"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian

#24

3 days until the last Tony Administration Meeting

Posted: 4/29/10 at 11:27am

I see your point; however, pre-recorded unreleased unpublished background music to a play is just an entirely different thing from the live published commercially available score to a musical show.

But I suppose we can lower our standards in other categories as well - why not Best Costume Design awarded for some clothes briefly glimpsed in a closet on stage? Best Actor going to an audience member who played a lively game of charades in the lobby one night? Best Orchestrations to an a capella song?

#25

3 days until the last Tony Administration Meeting

Posted: 4/29/10 at 11:51am

I'm actually strongly against the idea that the best score nominees/winner should be from recorded scores. Doesn't that put pressure on the smaller shows that don't have the budget to crank out recordings as quickly the larger ones? It seems like it would only add to the "political machine" of the Tonys that so many of us complain about. Best score should be the best score, recorded or not.

Marie: Don't be in such a hurry about that pretty little chippy in Frisco. Tony: Eh, she's a no chip!

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