She didn't lose her chance for anything for WICKED. She voluntarily turned down the show when they offered her the understudy spot because they wanted a bigger name. And who's to say that if she did open the show, she would have won a Tony?
PIRATE QUEEN was over-produced drivel. BOY FROM OZ had a bunch of good performances and a god-awful script.
Can't speak for 9-to-5, but, from all I've heard, Brantley is accurate.
Trace, your problem is that you get overly bent out of shape about these things, like a bad review is the end of the world. You're the one who blatantly said that you "hate" Charles Isherwood because he, along with many other people, didn't think IRENA'S VOW was as good as you did.
She lost her chance at WICKED because they picked Idina to originate the role instead of her...and you're right, there is no way to predict that she would have won the Tony had she been the original Elphaba, but I think she would have.
THE PIRATE QUEEN was horrendous...I truly hated it. THE BOY FROM OZ was entertaining, but also dreadful. I do love 9 TO 5 though.
I still hate Charles Isherwood for that pan of IRENA'S VOW (and his rave for ROCK OF AGES), and unfortunately there is nothing I or anyone else can do to prevent it from flopping and closing soon. I still feel that Tovah Feldshuh's performance was one of the best I've ever seen on stage.
I still have hope that 9 TO 5 will be an audience favorite and be a huge hit (despite the negative reviews) and I hope the cast moves on from these negative reviews soon and just feeds off of the positive audience reactions every night.
A critic is paid to give his/her opinion about a show. He/She is not paid to lie in order to save a struggling show. Why would you hate someone for giving their opinion as they are paid to do? Because he didn't go against his impressions and rave about Irena's Vow just so it could run a little longer?
I didn't rave about IRENA'S VOW in my review on this board to save the show from closing and/or create buzz for Tovah to win the Tony Award. I raved about IRENA'S VOW because I thought it was one of the most moving pieces of theater I had seen since DOUBT. I never cry at the theater and IRENA'S VOW moved me to tears (as it did for the rest of the audience the night I went).
No, I'm asking if you're implying that Isherwood should have lied and raved about Irena's Vow in order to save it, because your train of thought seemed to say that his review was a cause of the show flopping and closing.
As the critics in "Show Business" said, people want to see their money on the stage when they are paying over 100 bucks a ticket. WICKED got mixed to negative reviews and we all know how that went. I enjoyed the show, I think it will do well. It has some great talent, a few great songs (and a few clunkers), and the money is on the stage. It also has themes people are relating to right now. I think it will do really well. Plus, Dolly is the master of the positive spin, and will keep the PR bright and positive. The audiences are clearly enjoying this and that really is all that matters. I dont think many people read reviews anymore. And for the record, I do think Ben needs to retire. He strikes me as pretty bitter if he doesnt like you.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
I actually think IRENA'S VOW was going to be a hard-sell regardless of the reviews. I just felt (and still feel) so strongly about Tovah winning Best Actress in a Play, and the thought of the possibility of her not even being nominated is nauseating.
Nice to know withoutatrace finally got some action last night. Maybe this new guy will calm him down.
The one good thing about the poor reviews is I doubt there wil be a line around the block for tickets today, making it much more likely to be at TKTS and more affordable.
I'm buying tickets at the BO tonight...I will report back and let everyone know had crowded it seemed to be.
I'm a professional. Whenever something goes wrong on stage, I know how to handle it so no one ever remembers. I flash my %#$&.
"Jayne just sat there while Gina flailed around the stage like an idiot."
with a quote about Stephanie Block: "Best of all is Block, as the neophyte office worker (the Jane Fonda part in the movie), newly liberated from her spouse and ready to begin life again. Block delivers the evening's big anthem: "Get Out and Stay Out," directed at her husband who has dumped her for a 19-year-old. She gets to stop the show all by herself."
" She voluntarily turned down the show when they offered her the understudy spot because they wanted a bigger name. And who's to say that if she did open the show, she would have won a Tony?"
She didn't turn it down she was an understudy in the pre-Broadway tryouts... went on once. She left to do "The Boy From Oz"
2008: Feb. 18- Rent, Feb. 19- Curtains, April 18- Xanadu, April 22- Wicked, April 26- Legally Blonde, May 31- Wicked, June 13- The Little Mermaid, June 28- Wicked and Young Frankenstein, July 2- The Little Mermaid, July 6- A Chorus Line and Legally Blonde, August 16- Xanadu, September 13- Legally Blonde and 13, September 28- Xanadu and Spring Awakening, Oct. 12-GYPSY and [title of show], Oct. 19- Hairspray & Legally Blonde, Nov. 9- Wicked and 13, Dec. 14-13, Dec. 26- Billy Elliot, 2009: Jan 1- Shrek, Jan 2- 13 and Wicked, Jan 4- 13, Feb 17- In The Heights, Feb 19- Billy Elliot, Feb 22- Sweeney Todd (tour), March 28- Mary Poppins, April 4- Mamma Mia!, April 15- Jersey Boys (on tour), April 25- next to normal & 9 to 5
May 1- Billy Elliot, May 3- Spelling Bee (tour), May 8- Chicago, May 21- Wicked, June 6- Everyday Rapture, June 23- The Wiz, June 25- Hair July 15- Shrek, August 9- Wicked, September 7- Rock of Ages, October 11- Next To Normal, October 23- The Marvelous Wonderettes, November 7- Ragtime November 29- Dreamgirls, December 25- Billy Elliot, December 30- Finian's Rainbow, 2010: January 9- Bye Bye Birdie, January 16- Memphis February 17- The Phantom of The Opera, February 18- God of Carnage, March 7- Billy Elliot, March 31- American Idiot
Not sure if it's been posted yet but The Daily News is Mixed to Positive with *** out of *****:
"...In place of the film's stars (Lily Tomlin, Jane Fonda and Parton), three likable actresses play the aggrieved secretaries, who wreak revenge on the horrible honcho, played with delicious maliciousness by Marc Kudisch. "West Wing" alum Allison Janney is tall and striking and captures Violet's easygoing authority, but her singing and dancing are still tentative.
As the blond and buxom Doralee, Megan Hilty is a twangy, big-voiced bombshell.
Stephanie J. Block, last seen swashbuckling in "The Pirate Queen," is meek Judy, a mouse who finally roars in an emotional anthem to independence, "Get Out and Stay Out." Too bad the song's placement undercuts it. Is it really a victory to tell your husband to scram while you've got a guy in chains in the next room? Just asking. ..." http://www.nydailynews.com/entertainment/arts/2009/05/01/2009-05-01_dolly_partons_tunes_work_in_9_to_5.html
What a terrible point that he tries to make about "Get Out..." not really being a victory because Hart is tied up in the next room. So stupid.
Shubertalley 44 Thanks for the grammar check .I should hope you know the proper use of your and you're ,cuz you do seem like a know it all ! Mabey you could check my spelling next . You are a vociferous poult ! Did I spell it correctly ?
Shubertalley 44 Thanks for the grammar check .I should hope you know the proper use of your and you're ,cuz you do seem like a know it all ! Mabey you could check my spelling next . You are a vociferous poult ! Did I spell it correctly ?