I'm back from tonight's performance and with only two exceptions I was thrilled with the production! As if we needed another reason to love Jeanine Tesori she goes and programs this little gem.
First off, they absolutely need to record this version of the show, which has changes galore from the original Off-Broadway production. Finn tweaked lyrics all over the place, mostly for the better. Calamari was indeed cut (no huge loss), but both Poor, Unsuccessful and Fat and You Boys Are Gonna Get Me In Such Trouble ARE included.
The two cuts I was very disappointed by were Whenever I Dream (but when I wake it's go-oooooone!) and Eating Myself Up Alive. Boo. Restore them, please!
Overall, Rhoda's part felt reduced. Liz Larson feels so omnipresent on the recording and although Alyse Alan Louis has a nice belt and does well with what she has, the part doesn't stand out as much as I thought it would. Maybe cutting Whenever I Dream has something to do with that too.
Ana Gasteyer was an absolute revelation. Never have I seen her potential, whether on stage or screen, been as fully exploited as it was tonight. Mother's Gonna Make Things Fine has been totally overhauled and has turned into a showstopper. Throw It Out and The Music Still Plays On were perfection too. I really, really loved her.
Jonathan Groff, while maybe not as nebbish as Malcolm Gets, was winning as Gordon. Why can't he pull a Cynthia Nixon and do Hamilton and transfer this (for a limited run)? Aaron Lazar, looking extra hunky, made a believable couple with Groff and his vocals were rich.
The homeless lady is probably the weirdest role, but Rema Webb's vocals gave me chills. I was worried about her living up to Testa's performance, so ingrained in my ear, but damn.
I enjoyed Lapine's direction; truly this was not an Encores, but a fully staged production.
The bar has been set very high. Little Shop and The Wild Party have a lot to measure up to.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!