PalJoey, you are the vital voice of the institutional memory of BWW, if we can consider BWW an institution. My thread-reading life would be so much poorer without your contributions.
What I really love about your first post in this thread is how you illustrate that a show that doesn't change can be changed by the times it lives through. That's such an important lesson.
Also, do not get me wrong, I lovvvve A Chorus Line, it had for me the same impact you have previously described when I first saw it when I was 14 or 15 or however young I was. My problem with the revival was that they didn't find a way to let the show be the show (set in 1975) but living and breathing now.
I am not sure exactly how they would have done it, but I came away from the Every Little Step documentary realizing the gay men on the creative team were absolutely wedded to the gay men as victim crap and that that informed the entire production. They were more interested in bawling through Jason Tam's audition and being so nostalgic for the original production that they simply couldn't come up with something that could live on, the way the Chicago revival has.
The La Cage revival is interesting to me because who knows how the object will seem in the bizarre atmosphere of 2010.
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Updated On: 4/10/10 at 10:14 PM