I believe it was her Broadway debut. He big bit on the CD is a parody of those operatic "wedding songs" which she over sings but it comes across on the CD as irritating. (It did in the show too, just not as much.)
I saw the show the just after the 1997 Tony awards and it was by far better than THE LIFE and JEKYLL & HYDE. Still the book (which wasn't as terrible as some here have said) had two major problems: 1.) It wasted too much time on minor characters that never developed into anything 2.) It was a reworking of the standard "ghost" story but too many people didn't understand that soon enough (the curtain went up on a plane crash and him lying dead on the beach. Somehow people assumed he was napping!)
There is anther gem in the score: "The Last Girl" ...sung by the pilot watching the girl of his dreams dancing with someone else. Yet in truth, she really is the last girl he'll ever love: after all the guy
is dead. The melody is similar to those 1930 ballads sung by Al Bowlly. Kander and Ebb at their best.
One other memory: At the end of "Wet" Daniel McDonald jumped of the dock into the water, wearing white boxers. When he re-emerges he was indeed wet and the boxers were practically transparent!
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com