http://bln.kr/GV1/
This is just a preview of the opening number, but this thread could also be used as a discussion when the rest of the previews become available.
Updated On: 5/29/10 at 07:26 AM
Broadway Legend Joined: 4/23/08
The balance between the orchestra and the cast is pretty off, it sounds.
Like they're almost trying to drown each other out...
Broadway Legend Joined: 5/15/03
That was a pretty horrible clip to choose for any kind of preview.
Agree - the lyrics are ver indstinct. At first I thought they were singing "When you're an ADULT..."
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
This is one of the few numbers I've come to enjoy from the show and this does not sound good.
Who produced this? Yikes. I hope it's just the clip.
You can really hear Jackie Hoffman though!!!
Haha... I noticed that Jackie Hoffman seemed especially loud. I'm not complaining though.
Featured Actor Joined: 5/6/10
why cant you hear bebe and nathan when they are leads????
Samples for the entire cast album were released:
http://www.amazon.com/The-Addams-Family/dp/B003O5I1R2
Broadway Legend Joined: 4/23/08
There are some good ones... and some "meh" ones... But Carolee sounds FIERCE in "Waiting." "Pulled" also sounds great.
(On another note, I LOVE Jackie Hoffman's interjections in "Let's Not Talk About Anything Else But Love (Reprise)! They're so perfect and gives her the opportunity to show (not enough but) that little bit of her goofiness to add to the album.)
Updated On: 5/29/10 at 09:37 AM
One Normal Night, Full Disclosure, Waiting, and Crazier Than You sound amazing. But I do agree, some of them sound ehh.
One Normal Night, Full Disclosure, and a few other numbers sound great. I agree that many of the songs aren't too good, but the good numbers are making me excited to buy the OBCR.
They sound much more powerful live. But I'm still looking forward to get this album..
I still adore them and their show, haha :)
"I still adore them and their show, haha :)"
As if there were a doubt in our minds.
Okay so it was just the way that clip. Sounds much better, though much of this score is just a bore.
And Krysta Rodriquez is the most irritating thing on Broadway right now.
IT'S OFFICIAL... "Clandango", the original opening number from the Chicago pre-Broadway tryouts will be a bonus track on iTunes. Though, the article is old, it is glad to hear the 'news'. lol.
http://www.playbill.com/playblog/2010/04/celeb-playblogger-kevin-chamberlin-april-21/
I figured it'd be this song, but you never know. Some people would have guessed "Passionate and True" or "Second Banana". However, some of you BWW-users who saw the show in Chicago said that the latter song was not very good.
Updated On: 5/31/10 at 02:46 PM
Is the Passionate and True theme still prevalent in the instrumentals and dance sequences? Was it recycled into one of the new songs?
Plus, am I correct in believing that Morticia is an evolution of "At Seven?"
As long as they have Terrance Mann's big second act number, In The Arms (Of A Squid), I'm fine.
Broadway Star Joined: 8/12/07
Does anyone know if there's going to be a cast CD signing?
Broadway Star Joined: 4/16/07
"Is the Passionate and True theme still prevalent in the instrumentals and dance sequences? Was it recycled into one of the new songs?"
Yes, the theme is the basis to Where Did We Go Wrong? and the theme of At Seven has become the theme of Morticia
Broadway Legend Joined: 5/15/03
I listened to a few of these snippets and the score sounds like any one of the "Grade B" musicals that used to be on Broadway in the 60's. You know, HOW NOW DOW JONES and SKYSCRAPER and that ilk.
It doesn't make me want to see this show.
"Passionate and True" also resurfaces just before the final build of the tango sequence at the end of the show (when Nathan runs to get the rose to give Bebe), and said tango sequence begins with underscoring taken from "Tango Tango Tango" -- a not particularly effective (but lyrically clever) number for Bebe and Carolee that was cut soon after previews began and which was a part of their current book scene where they look through family photos together.
Dolly, Addams Family makes Skyscraper sound like Carousel in comparison.
Just to clarify, Fester's "Let's Not Talk About Anything Else But Love" production number was also cut?
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